metallica

LARS ULRICH Is ‘Unbelievably Bad’ On Drums And METALLICA ‘Is Shite,’ Say Scottish Post-Rock Icons MOGWAI

Scottish post-rock icons MOGWAI have slammed METALLICA as "shite," claiming that they don't understand the controversy surrounding METALLICA being the first metal artist to headline Glastonbury in the U.K. festival's 44-year history. The members of MOGWAI, who are set to perform at the same time as METALLICA at this year's festival, gave their opinion of the heavy metal giants during a recent interview with Gigwise. "I can't wait to hear that guy [presumably referring to Lars Ulrich. — Ed.] play the drums again — unbelievably bad," said multi-instrumentalist Barry Burns. "He's terrible." Singer Stuart Braitwaite added: "I just can't wait until we go all quiet and you can hear 'Enter Sandman' in the background, because we're on at the same time. I don't really see the fuss. They're a pretty big rock band and it's a pretty big rock festival." When put to the band that the METALLICA's booking had proven controversial with apprehensive Glastonbury punters, MOGWAI drummer Martin Bulloch opined, “Because they’re shite.” Mick Jagger of THE ROLLING STONES — who headlined the festival last year — recently shared his opinion of METALLICA headlining Glastonbury, saying: "I've seen them live and they're going to be great." Jagger added that his band had a "great time" headlining the event.

METALLICA: Official Footage Of Buenos Aires Concert

METALLICA's official YouTube channel MetallicaTV has uploaded "fly-on-the-wall" footage shot by the MetOnTour reporter on March 29 at Estadio Ciudad de La Plata in Buenos Aires, Argentina. The clip, which can be seen below, includes the band warming up in the tuning room as well as "The Unforgiven" and "...And Justice For All" from the show. As promised, the band played a nearly all-request set in Santiago, with 17 songs chosen online by fans prior to the gig and the last slot filled by the new track "Lords Of Summer". The band's setlist was as follows: 01. Battery 02. Master Of Puppets 03. Welcome Home (Sanitarium) 04. Ride The Lightning 05. The Unforgiven 06. Lords Of Summer 07. Fuel 08. Sad But True 09. Fade To Black 10. ...And Justice For All 11. One 12. For Whom The Bell Tolls 13. Creeping Death 14. Nothing Else Matters 15. Enter Sandman Encore: 16. Whiskey In The Jar 17. Orion 18. Seek & Destroy Drummer Lars Ulrich told Rolling Stone that "Lords Of Summer" "is fairly representative of where our creative headspace is at right now. It's one of those things that's like, 'Here, we're writing and we're creating.'" Guitarist Kirk Hammett told The Pulse Of Radio that coming up with music is not a problem for the band. "We're a band that never has a shortage of ideas," he said. "You know, you hear about these bands that are like, oh, they're sitting in the studio and they don't have any songs, what are they gonna do? That's not METALLICA. METALLICA's problem is the total opposite: we have too many ideas, which ones are we gonna use. And so that's pretty much how it stands with us." Ulrich cautioned, however, that "Lords Of Summer" may not even end up on METALLICA's next album at all, or at least not in its current form. He explained, "We did the same thing when we went out and played a bunch of dates in 2006. We were writing and played two different new songs over the course of that summer, and none of them made the record (2008's 'Death Magnetic')." The Metallica By Request tour will hit Europe this summer, with a single North American date confirmed in Montreal, as the band continues working on its 10th studio album.

LARS ULRICH: METALLICA Will ‘Hopefully’ Record New Album Next Year

METALLICA drummer Lars Ulrich was interviewed earlier this month on the "La Viola" show on the Argentinian TV channel TN. You can now watch the report below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET). On whether all the criticism has encouraged METALLICA to do things differently over the years: Ulrich: "I think METALLICA has been criticized more or less since the beginning. I mean, the hard rock fans take it very seriously, and I think sometimes too seriously. They're very vocal — they're passionate — but sometimes you have to kind of balance that off with saying, 'Okay, everybody, let's just calm down. It's just rock and roll,' or whatever. So I think we try to find the right balances. The members of METALLICA have always been very curious and very interested in different things and open to different ways of doing things. I think when we were young, when you're not so confident, when we were young, we were really trying to play a lot and show how talented we were. Now, I think, we're not so worried about whether people think we're talented or not. Now, because we're so comfortable with who we are… I think as you get a little older and get a little more experience, you become less worried about what people think of you and you become more comfortable with yourself. I think we've always tried with our fans to say, 'We are METALLICA and we will do things our way, we will do it differently. Come along for the ride, but if you wanna come along for that ride, know that it's gonna be a ride that's gonna take us to many different places." On whether he and the rest of METALLICA were joking when they said they were "Beliebers" — a.k.a. fans of pop singer Justin Bieber: Ulrich: "No. You know, he's a talented kid. He's talented. I mean, obviously, he doesn't make it easy for himsef, and I can only imagine how difficult it must be to have to deal with everybody being on top of him 24 hours a day; I don't wish that upon anybody." On what kind of music he listens to in his spare time: Ulrich: "I listen mostly to what my kids listen to, 'cause they always hijack the stereo, they steal the stereo in the car. We get into the car and they take control of the iPod. So, thankfully, my kids listen to SYSTEM OF A DOWN, FOO FIGHTERS, ARCTIC MONKEYS, QUEENS OF THE STONE AGE, AC/DC…" On what it's like being in METALLICA in 2014: Ulrich: "It's exciting. It's been an exciting time. The last, I don't know, six months, we finished our movie, we went to the Antarctic, we played the Grammys again, which was nice. We've started writing songs and preparing for the next record, so that's very exciting. We're down here among all of you beautiful people and playing [the] 'By Request' [setlist] and going to new places. We were in Quito two days ago, where we'd never been [before]. We're playing a new song ['The Lords Of Summer'] on stage, which people seem to be very receptive to. We're writing away. We've got some good ideas. Our biggest problem is not the ideas, our biggest problem is time. METALLICA is busier than ever, and it just seems like there's more and more going on and the days get shorter and shorter. But, hopefully, we will be done writing this year and next year we should record and hopefully have a new record out maybe next year. We'll see. Hopefully next year."

METALLICA Is Now Third-Best-Selling Artist Of SoundScan Era

According to Billboard.biz, METALLICA is the third-best-selling artist of the SoundScan era, with 54.26 million albums sold since 1991. Garth Brooks boasts the most albums sold, with 69.52 million. THE BEATLES ranks second (65.55 million), while Mariah Carey (54.24 million) and Celine Dion (52.21 million) round out the top five. The Nielsen SoundScan system began compiling sales electronically 23 years ago on a weekly basis, providing more accurate sales figures that form the basis for the Billboard music charts. As previously reported, METALLICA's self-titled 1991 album should surpass 16 million copies sold in the U.S., according to Nielsen SoundScan, in about three or four months at its current rate of sales (about 2,000 to 3,000 per week). The set — often referred to as "the black album" — was already certified 16 times platinum on December 13, 2012 by the RIAA (Recording Industry Association Of America) for shipments in excess of 16 million copies in the U.S. "Metallica" in 2009 surpassed SHANIA TWAIN's 1997 record, "Come On Over", as the best-selling CD of the SoundScan era. Although METALLICA had scored their first radio and video airplay with their previous effort, 1988's "...And Justice For All", the black album was the band's biggest commercial breakthrough, producing five singles and making them into one of the most popular rock bands in the world. The album was the first of four collaborations with producer Bob Rock, with whom the band clashed throughout the recording of the disc. METALLICA performed "the black album" in its entirety at a number of European festivals in

KIRK HAMMETT Says EXODUS’ ‘Bonded By Blood’ Was ‘Just As Good’ As METALLICA’s ‘Kill ‘Em All’

In the latest issue of U.K.'s Metal Hammer magazine, METALLICA guitarist Kirk Hammett was asked if it's strange to him how much METALLICA has eclipsed the other "Big Four" bands of 1980s thrash metal — SLAYER, MEGADETH and ANTHRAX — in terms of commercial popularity. "I try not to spend too much time thinking about stuff like that because whatever I think of is still not going to be a satisfying enough explanation," he replied. "It's just the way things are and how the chips fell. "EXODUS [Kirk's former band and the group many think should included if the 'Big Four' were expanded and considered the 'Big Five'] in the '80s had some bona fide problems, but I think their first album [1985's 'Bonded By Blood'] is just as good as [METALLICA's debut] 'Kill 'Em All'. We were just playing the music we wanted to hear because no one else was playing it and it wasn't being played on the radio. It was only a small group of people who knew about it and it was almost elitist in that 'No posers allowed!' thing." MEGADETH mainman Dave Mustaine last year spoke to Radio.com about which band should have been included if the "Big Four" were expanded and considered the "Big Five". Mustaine said: "You know, people will say there's a whole another generation, like the 'Medium Four' [laughs], and I think there's a lot of great bands that fit that bill, too. But I think probably EXODUS, because there was nobody else at the time that had that kind of pull or that kind of importance in the metal community. Granted, it was with [late EXODUS singer Paul] Baloff, and Baloff had a voice that you had to have an acquired taste for, but you know, I liked him." In a 2010 interview with Metal Asylum, EXODUS guitarist Gary Holt was asked if he feels the "Big Four" should have been expanded and considered the "Big Seven", including EXODUS, TESTAMENT and OVERKILL. "Well, I think it should be the 'Big Five' with EXODUS, because we were there at the start of thrash metal with METALLICA in the real early '80s," he said. "Same thing with MEGADETH because [Dave] Mustaine was a part of METALLICA's birth and he also created MEGADETH. And SLAYER are SLAYER. ANTHRAX are also great and old friends, but if you listen to those first few records, they have definitely changed. TESTAMENT has every right to be part of the thrash metal legends, but it just came down to timing because they came later. And OVERKILL have been their since the beginning also. But I don't get hung up on that shit, because I know how it all started and I know where I was when the shit got created. We [EXODUS] certainly deserve to be part of the founding fathers, but you know who often gets excluded are the Germans — KREATOR, DESTRUCTION and SODOM. Everybody looks to America and forgets those guys. KREATOR, DESTRUCTION and SODOM all released records in the early '80s." He continued: "Really, the "Big Four" is solely based on sales and the ones who sold the most. But if you compare records, I will put EXODUS' last few albums up against anybody's shit. SLAYER is always awesome; the last TESTAMENT album [at the time of the interview], 'The Formation of Damnation', was great; the new MEGADETH [2009's 'Endgame'] is one of their best; METALLICA are still finding their feet again, and their last album, 'Death Magnetic', was a step in the right direction. The new OVERKILL, 'Ironbound', is one of their best records ever; it's so good. And KREATOR, DESTRUCTION, and SODOM still make great new music. What I think it boils down to is the bands who've been doing this the longest still can do it the best. METALLICA are still a mighty force live, but they lost their way for quite a while. But then again I've never had to deal with the horrible problem of having millions of dollars. [Laughs] Maybe if I had that kind of money, it would distract my hunger for doing this kind of shit, too. But, unfortunately for me, I have to keep kickin' people in the teeth, I don't have the funds to go art-shopping. My version of fine art is a new edition of Hustler magazine. [Laughs]"

DAVE MUSTAINE: When I Left METALLICA, I Totally Re-Evaluated My Guitar Playing

The first episode of "Metalhead To Head", a web-only show where metal masters sit down together for surprisingly candid conversation and plenty of one-time-only music demonstrations and collaborations, can be seen at Fuse.tv. The episode features Dave Mustaine and Ricky Warwick (BLACK STAR RIDERS, THIN LIZZY). New episodes will debut every other Wednesday. Always at 1 p.m. ET. And always on Fuse.tv. Asked by Warwick about his lead-guitar technique, Mustaine said: "When I was in METALLICA, when I would write solos back then, I wrote them out. And then when I left, I totally re-evaluated my guitar playing and went from playing guitar because I loved it to playing guitar because I was pissed." He continued: "Playing, for me, doing solos and stuff like that, there's a lot of technique stuff that people do, they do sweeping and stuff like that and they do a lot of stuff that's real pretty-looking, but you know what?! After a while, someone sweeping through a whole solo, it's, like, enough already. I believe that David Gilmour can do more with one note than half of these kids that are out there now that can just do these mind-blowing solos." Artist pairings for future "Metalhead To Head" episodes include: * Mike Portnoy (DREAM THEATER, THE WINERY DOGS) & Arejay Hale (HALESTORM) * Dave Ellefson (MEGADETH) & Doug Pinnick (KING'S X) * Gus G. (FIREWIND, OZZY OSBOURNE) & Mark Heylmun (SUICIDE SILENCE) * Rudy Sarzo (QUIET RIOT, OZZY OSBOURNE) & Frank Bello (ANTHRAX) * Charlie Benante (ANTHRAX) & Ray Luzier (KORN) * Billy Sheehan (THE WINERY DOGS) & Marco Mendoza (BLACK STAR RIDERS, THIN LIZZY) * Eric Choi (WE CAME AS ROMANS) & Alex Lopez (SUICIDE SILENCE) * Michael Sweet (STRYPER) & Alex Skolnick (TESTAMENT) * George Lynch (DOKKEN, LYNCH MOB) & Chris Broderick (MEGADETH) * Marty Friedman (MEGADETH) & Ben Weinman (THE DILLINGER ESCAPE PLAN)

Video: STONE SOUR Performs Cover Of METALLICA’s ‘Creeping Death’ In Denver

Fan-filmed video footage of STONE SOUR performing a cover version of METALLICA's "Creeping Death" on February 3 at the Ogden Theater in Denver, Colorado can be seen below. As previously reported, STONE SOUR guitarist Jim Root has chosen to sit out the band's current North American tour so that he can concentrate on writing music for the next SLIPKNOT album. The Pulse Of Radio spoke with Root and asked him to explain his decision in a little more depth. "You know, unfortunately I'm only one person," he said. "I can't really be in two places at one time and the amount of focus that I need to put into SLIPKNOT makes it really difficult for me to be on tour with STONE SOUR. It's crushing and it's heartbreaking and I really don't like the idea of not being out there, but I don't really see any other way to really do it without — I mean, this is like the best way that we could come up with for a compromise." Root is being replaced for the month-long tour, which began on January 14 in Lake Buena Vista, Florida, by Christian Martucci. POP EVIL and STOLEN BABIES are also on the bill. The trek marks the end of the touring cycle for STONE SOUR and the band's two-album set, "House Of Gold And Bones". SLIPKNOT's long-awaited fifth album will be its first since 2008's "All Hope Is Gone" and first since the 2010 death of bassist Paul Gray and this past December's dismissal of drummer Joey Jordison.

METALLICA’s KIRK HAMMETT Performs With EXODUS At ‘Kirk Von Hammett’s Fear FestEviL’ (Video)

Lifelong horror enthusiast and METALLICA guitarist Kirk Hammett joined his former band EXODUS on stage last night (Friday, February 7) at his first annual horror convention, dubbed Kirk Von Hammett's Fear FestEviL, at The Regency Ballroom in San Francisco, California to perform the EXODUS song "Piranha" and the BLUE ÖYSTER CULT classic "Godzilla". Video footage of the performance can be seen below (courtesy of AndrewHaug.com). Hammett was a member of EXODUS' original lineup before replacing Dave Mustaine in METALLICA in 1983. In fact, Hammett was not only the person who came up with the EXODUS name, but also the first from the band to meet original EXODUS singer Paul Baloff and brought him into the group. Kirk Von Hammett's Fear FestEvil kicked off on Thursday (February 6) and lasts through Saturday (February 8), and Hammett told The Pulse Of Radio what he envisioned for it. "I've gone to San Diego Comic-Con, and I was just struck by how all it really is is a bunch of stuff to look at and a bunch of stuff to buy," he said. "What I wanted to do with my convention is I wanted it to be an experience, you know. I wanted it to be interactive, I wanted it to have ambiance and atmosphere, and I wanted it to be unique and thrilling, and that's what we're trying to do here." Kirk Von Hammett's Fear FestEviL will include additional musical performances by Nuclear Blast artists CARCASS, DEATH ANGEL and ORCHID. Hammett's relationship with DEATH ANGEL goes back more than two decades, when the METALLICA guitarist produced DEATH ANGEL's 1986 demo, "Kill As One". Visit www.FEARFESTEviL.com for the latest information on horror's newest and coolest fan convention. kirkhammetsfearfestival

TRIVIUM’s PAOLO GREGOLETTO: Why There Will Never Be Another METALLICA

Alec Chillingworth of Stereoboard.com recently conducted an interview with bassist Paolo Gregoletto of Florida metallers TRIVIUM. A couple of excerpts from the chat follow below. Stereoboard.com "In Waves" and "Vengeance Falls" both built on a sound that strayed significantly away from the progressive edge on "Shogun". Paolo: That's one thing that we always talk about when we start writing for a new record: what can we do a little differently this time? What have we done in the past that'd be cool to bring back in? I definitely think there'll be more progressive elements in the new music, but we just want to take what we've done on the past few albums — especially on the melodic side — and bring a bit of progression back into it. We've always had so many things at our disposal because we can be very heavy and we can be very melodic, we can be progressive, and when we write new songs we have all of that at our disposal, so we can just mix it up. We've all been writing again. We had a few weeks off for Christmas, which sort of inspired us to start writing again, but personally I've just been more focused on getting the best riffs. The first thing I did was start writing full songs, but then I just concentrating on writing good riffs and good parts. I didn't force myself to finish the songs, I've been leaving it for when we get together and jam like a proper band. We're just collecting ideas and talking about where we want this album to go. Stereoboard.com: When TRIVIUM first arrived, you were commonly tipped to be "the next METALLICA." Paolo: It's hard to pick bands out and say, "They're going to be the next IRON MAIDEN! They're going to be the next METALLICA!" I've thought about it and I've realized that every band is heading on a certain path, and I think the bands that will be left will be the ones who concentrate solely on writing the most honest music and who take it to that next level live. I think there are bands out there, and I include TRIVIUM with those, we want to push ourselves on our records, and we want to push ourselves live. The rest of it is just up to people connecting with it. People can't expect another IRON MAIDEN or METALLICA because those bands built upon what came before them and created their own unique thing. METALLICA are a once-in-a-lifetime band, and for anyone to reach that bar is impossible. Everyone just does their own thing, and it'll be those bands that'll succeed. Read the entire interview at Stereoboard.com.