Earlier today (Wednesday, March 12), MEGADETH mainman Dave Mustaine reflected on his career, musical influences and how the band got started with Pimm Fox on Bloomberg Television's "Taking Stock".
On his upcoming performance with the San Diego Symphony:
Mustaine: "Well, the symphony music, with classical music, I believe, shows up a lot in heavy metal music. A lot of the medieval-type music that I was brought up with, and the British Invasion… LED ZEPPELIN, for example, has a lot of the story telling and the classical arrangements do tell a lot of stories. And I also was weaned on THE BEATLES, so a lot of Sir George Martin's arrangements with the strings and stuff really fascinated me. So I've always been a fan of classical music. But the classical industry is dying. There's a generation of people that don't really know about it. I thought it would be really cool to take my guitar in there and play the lead-violin part with a little bit of some snarl, a little bit of some distortion. And, you know, watching all the Disney movies when I was a kid, I liked the songs right before the poison apple gets bit, or the wolf is about to attack or something, where the music gets kind of scary. So we picked some songs that we thought were really emotional, colorful songs — some Vivaldi, some Bach."
On whether he has become less intimidating in terms of his music as he's developed:
Mustaine: "I think as you grow up, things kind of change. It's kind of hard being an anarchist when you have a Mercedes-Benz in your driveway. This morning, I was thinking about growing up, how I was homeless when I started my career. I was a product of a broken family and was, basically, watched during the day by the Boys Club Of America. And, you know, it's one of those things where you go from being a poor kid, having lunch tickets and food stamps, to being a millionaire. It's an American success story."
On some of the biggest challenges that new bands face in today's music world:
Mustaine: "The revenue streams have dried up. The money that you would generate from record sales has all but vanished. So in order to be successful and to keep yourself in business, you have to find other ways to pay your bills, which predominantly are touring and merchandise. A lot of people have endorsements and sponsorship deals and stuff like that too, but because of peer-to-peer file transferring and stuff like that — it's old news now — it's really changed the music industry."
Earlier today (Wednesday, March 12), MEGADETH mainman Dave Mustaine reflected on his career, musical influences and how the band got started with Pimm Fox on Bloomberg Television's "Taking Stock". You can now watch the segment below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET).
On his upcoming performance with the San Diego Symphony:
Mustaine: "Well, the symphony music, with classical music, I believe, shows up a lot in heavy metal music. A lot of the medieval-type music that I was brought up with, and the British Invasion… LED ZEPPELIN, for example, has a lot of the story telling and the classical arrangements do tell a lot of stories. And I also was weaned on THE BEATLES, so a lot of Sir George Martin's arrangements with the strings and stuff really fascinated me. So I've always been a fan of classical music. But the classical industry is dying. There's a generation of people that don't really know about it. I thought it would be really cool to take my guitar in there and play the lead-violin part with a little bit of some snarl, a little bit of some distortion. And, you know, watching all the Disney movies when I was a kid, I liked the songs right before the poison apple gets bit, or the wolf is about to attack or something, where the music gets kind of scary. So we picked some songs that we thought were really emotional, colorful songs — some Vivaldi, some Bach."
On whether he has become less intimidating in terms of his music as he's developed:
Mustaine: "I think as you grow up, things kind of change. It's kind of hard being an anarchist when you have a Mercedes-Benz in your driveway. This morning, I was thinking about growing up, how I was homeless when I started my career. I was a product of a broken family and was, basically, watched during the day by the Boys Club Of America. And, you know, it's one of those things where you go from being a poor kid, having lunch tickets and food stamps, to being a millionaire. It's an American success story."
On some of the biggest challenges that new bands face in today's music world:
Mustaine: "The revenue streams have dried up. The money that you would generate from record sales has all but vanished. So in order to be successful and to keep yourself in business, you have to find other ways to pay your bills, which predominantly are touring and merchandise. A lot of people have endorsements and sponsorship deals and stuff like that too, but because of peer-to-peer file transferring and stuff like that — it's old news now — it'
TheRockRevival.com's Matt Bishop sat down with MEGADETH mainman Dave Mustaine backstage on the band's "Super Collider" tour to talk about the group's latest album, touring, and what's next for the band in 2014.
Asked what it means that "Super Collider" entered the The Billboard 200 chart at position No. 6, marking MEGADETH's highest chart debut in the U.S. since "Countdown To Extinction" and "Youthanasia", Mustaine said: "It means a lot of different things."
He continued: "People that like the record like the record.
"The public made their statement.
"A lot of people that don't particularly agree with my viewpoint, whether it's spiritually or religiously or politically, they attack our music instead of saying, 'I disagree with what Dave says.'
"We've gotten to the point where people are so vicious in the things that they say. Because they are not very educated and they don't really understand The King's English, they'll say words that are much more heavier than what they really say. Perfect example is when you watch politicans speak; they pick their words very carefully. And they don't have to go overboard and say, like, 'That guy's a fucking asshole.' They can say, 'Well, we question his integrity,' and stuff like that. Or, you know, 'Experience shows that this is the wrong decision to make.' And you can bitch-slap someone pretty good without having to get down and dirty with it.
"The problem is, with critics, it's their job — to criticize things.
"The fans spoke; they like the record.
"Obviously, when you're with a record company, they have songs that they believe in and they pick an order of songs, and all kinds of stuff like that.
"There's a lot of wisdom in watching the way record companies develop bands.
"We're kind of at a point right now where we get to, kind of, do what we know to do, and they trust us with it, which is really cool.
"There was just so much life infused back into the band when we got signed to Universal; just the writing progression… 'Cause when we first got signed, it was, like, 'OK, great! This is really cool.' And we started writing and stuff. And as that record came out and the subsequent touring and all the good that happened with that, the guitar playing started getting a lot more ferocious. Because we weren't really relying on radio anymore, because we're back.
"We're the most popular we've been, I think, since 'Countdown' right now. Record sales don't really correlate popularity, because of piracy and stuff like that. But I honestly believe we're the biggest right now we've been since 'Countdown'. It's a great feeling."
"Super Collider", sold 29,000 copies in the United States in its first week of release to land at position No. 6 on The Billboard 200 chart. "TH1RT3EN" opened with 42,000 units back in November 2011 to enter the chart at No. 11. The band's 2009 CD, "Endgame", premiered with 45,000 copies to debut at No. 9. This was slightly less than the 54,000 first-week tally registered by 2007's "United Abominations", which entered the chart at No. 8. 2004's "The System Has Failed" premiered with 46,000 copies (No. 18) while 2001's "The World Needs A Hero" moved 61,000 units in its first week (No. 16).
During a brand new interview on "The MetalSucks Podcast", MEGADETH mainman Dave Mustaine was asked by SLAYER bassist/vocalist Tom Araya's recent claim that "the politics of character in one particular band" were preventing more shows featuring the so-called "Big Four" of 1980s thrash metal — METALLICA, SLAYER, MEGADETH and ANTHRAX — from happening in the future.
"I didn't say that [no more 'Big Four' shows were ever going to happen again]. I said that I'm not the one to ask," Mustaine said.
"I love Tom," he contonued. "I think that all the hardship that we've had has been really sad, because, again, the media and stuff like that sometimes…
"People back in the day would try and propagandize everything I would say or put this inflammatory twist on whatever.
"There was things I did and said that caused some problems between Tom and I, and we worked it out.
"So, man, I have no problem with him or ANTHRAX or METALLICA, so I don't know where that came from. It could be some really old stuff that got regurgitated again. But, you know, I buried the hatchet a long time ago with those guys."
Speaking to Gazette.net, Araya spoke about the possibility of more "Big Four" shows in the future, saying: "I don't want to say politics is preventing that," Araya said. "It's not the politics between bands; it's the politics of character in one particular band."
He continued: "We had an issue that came up on the New York show, which really freaked everybody out, but the New York show happened. I think, in all honesty, that was the last time we did the 'Big Four.'
"I think another 'Big Four' show might not happen. They could prove me wrong.
"Those shows, basically, even though it was called the 'Big Four,' it was done through METALLICA. It was with METALLICA's blessing that allowed those shows to happen.
"If they want to continue and do a couple more shows, I think that would be great… If we were to sit down with them and communicate with them, that's what I'd tell them."
The "Big Four" played its last concert on September 14, 2011 at Yankee Stadium in New York City.
Two days prior to the "Big Four" event in New York, rumors spread that MEGADETH had pulled out of the concert so that Dave Mustaine could undergo surgery for stenosis, a neck and spine condition that he said was caused by "years of headbanging." Mustaine eventually had a change of heart and decided to go through with the performance, but struggled through the set due to the pain. He later told NY Hard Rock Music Examiner: "It was very close, the day after that. I was supposed to not do that show. I'd been laying in the emergency room getting ready to have them put me to sleep, and I’d said we had to cancel the concert. And one of the people associated with the concert said I was a pussy, and I thought, 'I'm a pussy. I'm getting ready to have two major spinal surgeries done and I'm a pussy. Okay.' Obviously, you don't know what pussy is, because that's not pussy."
In his autobiography, "Mustaine: A Heavy Metal Memoir", Mustaine addressed the issue of where his band fit in the "Big Four" order. According to The New York Times, he assured the reader that he was not offended by being put behind SLAYER. But he added an interior monologue: "O.K., we'll play ahead of you guys on this trip, and God willing we'll do it again sometime in the near future and we can flip things around."
The idea for the "Big Four" tour first came up in 2009 and METALLICA drummer Lars Ulrich told The Pulse Of Radio he was glad to finally see it happen. "It's pretty amazing, if you think about it, that it's the first time basically in 25 years or 30 or whatever that the four of us have actually played shows together," he said. "So it was a lot of fun, a lot of memories, a lot of fun times — new fun times, and fun times talking about the old fun times. So it sort of was a, it was a winner on every front."
In the spring of 2011, METALLICA, SLAYER, MEGADETH and ANTHRAX were presented with double-platinum plaques for the two-disc DVD release of "The Big Four: Live From Sofia, Bulgaria", containing footage of the June 22, 2010 Sonisphere cinecast from the Sofia, Bulgaria leg of the touring rock festival featuring all four groups. The presentation took place on April 23, 2011 at the first-ever "Big Four" concert on American soil at the Empire Polo Club in Indio, California.
"The Big Four: Live From Sofia, Bulgaria" was certified double platinum on December 17, 2010 by the Recording Industry Association Of America (RIAA) for shipments in excess of 100,000 copies. (Note: Due to the fact that the set consists of two discs, it was eligible for platinum certification after shipping 50,000 copies; platinum certification for a single-disc release is 100,000 copies.)
"The Big Four: Live From Sofia, Bulgaria" debuted at No. 1 on the Billboard "Top Music Videos" sales chart in November with first-week sales of 22,000 copies. The set also debuted at No. 1 in Canada, the U.K. and Austria, while entering at No. 4 in Germany.
"The Big Four: Live From Sofia, Bulgaria" set features full shows from all four bands along with behind-the-scenes and interview footage.
