On March 10, journalist Mitch Lafon conducted an interview with ACCEPT and TT QUICK singer Mark Tornillo. You can now watch the chat below.
On the progress of the recording sessions for the new ACCEPT album:
"I literally finished singing the vocal tracks a week ago Sunday."
On whether fans of the first two ACCEPT albums with Tornillo on vocals — 2010's "Blood Of The Nations" and 2012's "Stalingrad" — will be happy with the musical direction of the new ACCEPT album:
"Yeah, I would say. It's more of the same, but even more of a classic feel than the other ones, I think. There's some songs on this one, I think, that when you hear the opening riffs, you're gonna go, 'Wow! This could have been on 'Balls To The Wall'. This could have been on 'Metal Heart'.' It's just very classic-sounding stuff, classic-sounding ACCEPT stuff. But with a lot of very diverse things on this record as well. I mean, you've got the heavies and the double basses, but some things that, I think, are a little different."
On whether the songwriting process for the new ACCEPT album was more comfortable for him, having done two albums already with the band prior to this one:
"It is more comfiortable for me. I think it's a little more comfortable for everyone. 'Stalingrad' was the one, I think, that threw us all for a loop, more than anything, because we had set the bar so high with 'Blood Of The Nations'. And we were really searching for a niche with 'Blood Of The Nations' still, searching for an identity for the band. So 'Stalingrad' was actually more of a challenge, I think, than this one was. We really kind of settled in with this one and are not afraid to take a chance here and there now too. So we'll see what happens. I'm loving it. So I'm just hoping the fans will feel the same way."
On the status of the the first official ACCEPT documentary, "Acceptology", featuring footage from ACCEPT's humble beginnings as a garage band in their German home town of Solingen in the late '70s, their '80s "Balls To The Wall" "glory days," and all the way up their most successful reincarnation with Tornillo:
"'Acceptology' is still being recorded. Actually, Stefan Kaufmann [former ACCEPT drummer and U.D.O. guitarist] is spearheading that whole project. So I know that we did some extensive video during the recording of this album that's gonna be on some of that stuff. But there are two live DVDs now; there's one from South America, and there's one from Bang Your Head!!! festival last year in Germany. Now, the way I understand it, one of these is going to be released with the new album [as a bonus disc]. I'm not sure which one — I think possibly the German one; I don't know all the details — but the way I understand it, there will be a live DVD with the new album. 'Acceptology', I'm not sure when that's gonna be released and how it's gonna be released."
On TT QUICK's future plans:
"We've talked about [doing some recording and scheduling some more dates]. There's talk about us maybe doing a few shows, actually, this summer while I'm home. I'm gonna be here, now that we're done with recording the new ACCEPT album, I'm gonna be in the neighborhood now until probably the end of July when we're gonna start touring again [with ACCEPT]. So it gives us some time to do some TT QUICK stuff this summer. David [Dipietro, TT QUICK guitarist] and I have actually been throwing ideas back and forth, so there's a good possibility we may just do an EP, release it digitally and see what happens."
Tornillo's pre-ACCEPT band TT QUICK will reunite once again for a performance at the "Rock N' Roll Heaven Presents" event on May 3 at Starland Ballroom in Sayreville, New Jersey. Also appearing on the bill will be KING'S X, THE ATOMIC BITCHWAX and the BLACK SABBATH cover band BLACK REIGN.
This time around, TT QUICK will play a full set after their "teaser" appearance at Rock N' Roll Heaven and the Old Bridge Metal Militia's reunion concert and fundraiser in May 2013 to benefit the victims of Superstorm Sandy.
TT QUICK was a popular club band during the 1980s in the New York and New Jersey area and was known for the guitar work of David Dipietro and the powerful vocals of Mark Tornillo. Dipietro's skills were especially singled out as he had given lessons to both Zakk Wylde of the OZZY OSBOURNE band and SKID ROW's Dave Sabo.
TT QUICK disbanded and later reunited sporadically and released a few more albums, including a live CD from one of their reunion gigs ("Thrown Together Live") and a studio effort, "Ink", which came out in 2000.
HELLYEAH's fourth studio album, "Blood For Blood", will be released on June 10 via Eleven Seven Music. The CD was helmed by producer Kevin Churko at his The Hideout Recording Studio in Las Vegas, Nevada. Churko is the Canadian musician, sound engineer, songwriter and record producer who has previously worked with OZZY OSBOURNE, FIVE FINGER DEATH PUNCH and IN THIS MOMENT, among other acts.
"Blood For Blood" is the album that HELLYEAH — featuring MUDVAYNE's Chad Gray on vocals, PANTERA's Vinnie Paul Abbott on drums and NOTHINGFACE's Tom Maxwell on guitar — has always wanted to make. "It's a defining record for HELLYEAH and for anyone on the fence," Paul declared, describing the record as "focused and with a clear direction."
After roughly eight years, three albums, countless tours as headliners and as participants on "can't-miss" festival bills and hundreds of thousands of albums sold, HELLYEAH is making their biggest and boldest statement yet with "Blood For Blood". They are going for the jugular and every song on the album clamps down and doesn't let go. They've exchanged some of the party-centric, good time sounds of past efforts for pure metallic fury and emotional introspection. The album sounds like a recharged HELLYEAH, taken up many notches.
"Blood For Blood" is easily HELLYEAH's most metallic album. It leaves a mark, thanks to songs like the angular, vengeful "DMF". There's also "Demons In The Dirt", a beast of a song birthed by the sort of anger that can't be faked; it will leave you wondering who pissed these guys off. "Gift" is dirty, rowdy rock with equal parts groove and swagger, but also possessed of the sort of punk rock energy that would make MOTÖRHEAD fans turn their heads. Then there is moodier, more contemplative fare like "Moth To The Flame" or "Hush", which connect on an emotional, cellular level, proving that you can be incredibly heavy in ways other than loud and fast.
"We still have a love affair with this band and have a lot we want to say," explained Maxwell. He relished taking on a larger songwriting role and serving as the lead guitarist, which you can hear in the album's overall sound and in every note of his playing. "That magic is there for us, still. This is the record I've always wanted to make in this band, which has so many creative forces." Gray also shared that changes made the members closer. "We leaned on each other for support and inspiration," he said.
The band opted to work with an outside producer for the first time ever, recruiting Churko for the job. "To move forward, you have to make changes," said Paul, who wrote the music in Texas with Maxwell before heading to Hideout Recording Studio in Sin City to put it to tape.
"I am used to being a producer or co-producer and I wanted to see what would happen if I backed up and let someone take the reigns, leaving me to just be a drummer," said Paul, while admitting that vocals were the one area of production to which he couldn't do proper justice. The band was happy to allow Churko to provide a fresh perspective. Given Churko's resume, which is littered with names as diverse as OZZY OSBOURNE, IN THIS MOMENT and FIVE FINGER DEATH PUNCH, the band knew he was the man who could pull the best performance possible out of Gray. The singer himself praised that Churko had a unique way of extracting what he wanted, saying, "You can be a drill sergeant and rule through intimidation or be laid back and cool, but get it done without pressure. He rules through cool."
Overall, the album has less of an obvious southern influence, with Paul deeming it "a metal record that also has melody.It lends itself to a diverse group of people."
As the mouthpiece for the band, Gray lets out his primal scream throughout the album, enabling him to properly and fully express his emotions in the music. "We want to shut people up a little, the people who have never given HELLYEAH the time of day, for whatever reason," the singer said. "Whether you want it or not, it's undeniable. This [album] is an every night fistfight." Gray shared that he firmly believes in music as therapy and revels in helping the band's fans achieve catharsis with the music they have created.
He acknowledged the fact that the album is devoid of the party anthems that previously populated the HELLYEAH catalog. "There is not a party song on this record, which we are kind of known for," he said. Gray continued "As much as I love those songs, they put us in a certain box that I've never been comfortable in since I'm not always like that." Instead, Gray and his bandmates wanted to show a depth, breadth and range of emotions and styles.
It was important for Gray to craft songs that were heavy on multiple levels at the same time. His approach was that heavy doesn't always mean as fast and as loud as possible. He said, "For me, personally, I was going through my emotional checklist, and how I wanted to be heavy both aggressively and emotionally. I need that balance." For example, the mercurial "Moth" examines our base, animal instincts and drives. Despite knowing something is bad for you and will burn you, you still can’t pull yourself away from it.
"Black December" turns a critical eye on the year-end holiday season, and more deeply, the sadness that can permeate the end of the year. "It's a deadly month and depressing," Gray explained. "It's a hard month to get through with
HELLYEAH has parted ways with guitarist Greg Tribbett (MUDVAYNE) and bassist Bob "Zilla" Kakaha (DAMAGEPLAN). A replacement bassist in the shape of Kyle Sanders (BLOODSIMPLE) has been secured.
HELLYEAH's fourth studio album, "Blood For Blood", will be released on June 10 via Eleven Seven Music. The CD was helmed by producer Kevin Churko at his The Hideout Recording Studio in Las Vegas, Nevada. Churko is the Canadian musician, sound engineer, songwriter and record producer who has previously worked with OZZY OSBOURNE, FIVE FINGER DEATH PUNCH and IN THIS MOMENT, among other acts.
According to a press release, "Blood For Blood" is "a welcome return to form. It leaves a mark, thanks to songs like the angular, vengeful 'DMF', a song birthed by the sort of anger that can't be faked; it will leave you wondering who pissed these guys off. 'Gift' is dirty, rowdy rock with equal parts groove and swagger, but also possessed of the sort of punk rock energy that would make MOTÖRHEAD fans turns their heads. Then there is moodier, more contemplative fare like 'Moth' or 'Hush', which connect on an emotional, cellular level, proving that you can be incredibly heavy in ways other than loud and fast. The album sounds like a recharged HELLYEAH, taken up many notches."
"Blood For Blood" track listing:
01. Sangre Por Sangre (Blood For Blood)
02. Demons In The Dirt
03. Soul Killer
04. Moth
05. Cross To Bier (Cradle Of Bones)
06. DMF
07. Gift
08. Hush
09. Say When
10. Black December
The first single off "Blood For Blood", "Sangre Per Sangre (Blood For Blood)" will hit rock radio in April and will be available for sale, along with the metal radio track "Cross To Bier (Cradle of Bones)" on March 25 on all digital music platforms. The band will hit the road in the USA this spring.
In a recent interview, drummer Vinnie Paul Abbott (formerly of PANTERA and DAMAGEPLAN) stated about HELLYEAH's plans for the next CD: "Everything [Kevin has] ever done is great. I feel like he really made Ozzy sound fresh again, [on 2007's] 'Black Rain' especially. Sonically, [Kevin's] records are unbeatable, and he gets the best out of every band.
"We produced our last three albums ourselves, and we really feel like we did a good job on all that. But we feel it's time to have an outside ear, somebody to give us an extra opinion; to be the sixth member of the band, so to speak. That extra dude that drags everything out of you."
Vinnie also revealed that the new record's overall sound would "continue in the direction" of 2012's "Band Of Brothers", which represented the first time that the members of the band fully embraced their musical roots.
"The first two records were pretty experimental for us," Vinnie explained. "We really stepped outside of the box and did a lot of things that we couldn't do in PANTERA or MUDVAYNE or NOTHINGFACE; songs like 'Alcohaulin' Ass' just wouldn't fly in those bands. It was really liberating to be able to do that, and touch on some rock and roll, some blues, almost country southern rock, stuff like that. But with 'Band Of Brothers', we really wanted to get back to our roots and felt like it was time for all of us to bring the different things we brought to our previous bands into HELLYEAH, and not be afraid of it."
HELLYEAH's first three albums were laid down in Dallas, Texas at Vinnie Paul Abbott's home studio, VP's Upstairs Studio.
HELLYEAH took part in last year's edition of Gigantour, the critically acclaimed package festival founded in 2005 by MEGADETH mainman Dave Mustaine. Also appearing on the bill were headliners MEGADETH, along with BLACK LABEL SOCIETY, DEVICE, NEWSTED and DEATH DIVISION.
"Band Of Brothers" sold 19,000 copies in the United States in its first week of release to debut at position No. 19 on The Billboar
BLACK SABBATH was honored with a Grammy in the "Best Hard Rock/Metal Performance" category in the pre-telecast ceremony at the 56th annual Grammy Awards on January 26 at the Staples Center in Los Angeles. BLACK SABBATH was nominated for the track "God Is Dead?", from the band's 2013 comeback album "13". BLACK SABBATH's "God Is Dead?" also picked up a nomination in the "Best Rock Song" category. In addition, "13" earned a nod for "Best Rock Album", alongside LED ZEPPELIN's "Celebration Day" and QUEENS OF THE STONE AGE's "…Like Clockwork", among others.
In a posting on his official web site, BLACK SABBATH guitarist Tony Iommi writes: "Well, the dust has settled on the Grammys now. [It was] great to win another one, but what a palaver. As the East Coast is three hours ahead, the televised part begins at 5 p.m. so you're leaving the hotel at lunchtime, all dolled up and ready for the red carpet! It was good, though. [There was] plenty of interest in the album still and endless questions about what we're doing next. Well, it's shows in the U.S., Canada and Europe, so far too busy with that to be thinking about more recording."
Speaking to the press backstage at the Grammy Awards, BLACK SABBATH singer Ozzy Osbourne stated about the possibility of the band recording another studio album, "We're going back on the road. We haven't really spoken about it beyond that. I'm down for it."
"Absolutely," added Iommi.
Iommi said in a recent interview that he was not sure if making a follow-up to "13" would be a good idea for the group. Iommi said in Revolver magazine, "I don't know if that would be an anticlimax if we wrote another album. I'd like to, but we haven't actually spoken about it, you know? I don't know if that would be a good idea after this one, because this one's done so well. I'm sure we'd all like to do one. But I don't know. Maybe I should talk to the others about it."
Bassist Geezer Butler added, "I really haven't thought about it. I'm just glad that we made this one. It can't be something where you go in and go, 'Well, that one was No. 1, so let's do another No. 1 album.' I think we'll know if we can do it or if we can't. If we have to force it, then we won't be doing it."
"13", the first SABBATH album in 35 years to feature Iommi, Butler and singer Ozzy Osbourne recording together, went No. 1 around the world, earning the band their first chart-topper ever in the U.S.
According to The Pulse Of Radio, Ozzy said about the prospects of making another record, "I don't want to say there's going to be another album, because I don't want you to ask me in another year, 'What happened when you said you were going to do another record?' I'll leave it open. I'm open for anything. I have three albums to deliver of my own solo thing to my record label."
Ozzy added, "We'll all still be doing music. It's been a lot of fun doing it with BLACK SABBATH, and I'm not sorry at all for getting back together."
The making of "13" was marked by several dramatic events, including drummer Bill Ward's withdrawal from the project over a contractual dispute and Iommi's cancer diagnosis.
Butler told Revolver that he started writing a song for "13", called "Hanging By A Thread", that was inspired by Iommi's illness. He explained, "It was very much about dying, about giving your last breath and passing your spirit on." But the track didn't make it onto the album because, Butler said, "We never came up with the finished thing."
BLACK SABBATH will return to North America this spring for 10 shows that will be among the last in support of "13".
In the brand new issue of U.K.'s Metal Hammer magazine, former PANTERA drummer Vinnie Paul Abbott recalls how the band began falling apart in the midst of its biggest success after singer Philip Anselmo turned to heroin to combat his back pain.
"This is when the drug thing came about and everything started going sideways with him," Vinnie says. "That's when the band and him started separating and he started demanding his own tour bus. We'd see him before the show and then he'd be gone, and you never knew which Phil you were gonna get. You might get the pitbull that we all knew and loved, or you might get some dude who was completely whacked out on heroin and didn't do what he was supposed to do.
"It did become difficult on that touring cycle, but also we'd never had a break, so we could never get away from it.
"A lot of elements started creeping in, particularly with him. I mean, we were all in some pain. I had to deal with tendonitis, but I never turned to drugs to pacify it.
"None of us had any clue that he was even thinking of doing heroin — we used to be the most anti-drug guys in the world — and when he OD'ed in Dallas, when we played our big homecoming show to 18,000 people, the first thing that came to my mind was that he'd passed out because of the heat. When I saw him laying on the ground, blue, I was, like, 'What the fuck?' If it hadn't been for our drum tech, Kat, chasing down some paramedics, [Anselmo] wouldn't be around anymore. And it really would have been a shock because none of us had a clue.
"It definitely went from being all hunky dory to being a lot more work and not knowing what was gonna happen.
"We kept working, and, really, our intention wasn't to stop. Until Phil decided he'd rather go and do DOWN and SUPERJOINT RITUAL, we never stopped. I really felt like we were gonna be THE ROLLING STONES of heavy metal, and we could have been."
Vinnie, who is late PANTERA guitarist "Dimebag" Darrell Abbott's brother, and Anselmo have not spoken since PANTERA split in 2003. But the relationship got even more acrimonious when Vinnie indirectly blamed Philip for Dimebag's death, suggesting that some remarks the vocalist had made about Dimebag in print just weeks earlier might have incited Dimebag's killer.
Asked if he thinks Vinnie Paul will ever be open to repairing the rift, Anselmo told Artisan News: "You know, that would be a question for Vinnie Paul; I don't know. But once again I'll say that I love him. I feel his pain every single day. Dime was very much my brother, Rex's [Brown; PANTERA bassist] brother as well."
He continued: "In this life, one thing I've learned is that it does not take pure blood to make family; it's the relationship and how strong you hold that bond. And once again, my door is always open for Vince."
Dimebag's longtime girlfriend Rita Haney has called on Vinnie and Anselmo to settle their differences in honor of Dimebag, telling the producers of "Behind The Music Remastered: Pantera" that she forgave the singer after they found themselves unexpectedly face to face at a concert in California.
In Rex Brown's memoir, "Official Truth, 101 Proof: The Inside Story Of Pantera", Haney said: "My line has softened over the years since Darrell's death, probably because I feel an element of forgiveness and a desire for everybody to get along. No matter what ever happened, nobody did this to Darrell. I mean, they — Rex and Philip — didn't. The person who did it did it, and no matter what reason the killer — if he was still alive today — could give to justify that, it wouldn't change anything. But when you go through something like this, you want to lay blame somewhere. Obviously I had resentment to Rex and Philip because I had to watch Darrell trying to save his band. I wanted to fix it for him. As far as Philip is concerned, we are at least communicating, albeit on a fairly surface level. We haven't talked about any deep things like resentments because I've told him that I still harbor some resentment for how he handled band issues and how that impacted Darrell and I've made that very clear to him. And it's hard for me to trust him. But we'll see. It's a start and in time we'll probably sit down face to face."
She continued: "Despite all the issues I'll say this: going out selling the merchandise for Darrell every summer has given me a whole different perspective. When you are with all the people that PANTERA's music touched and you hear the stories they have about how a certain song got them through, even if they never got to see them, it makes you realize that you're being selfish and that your issues are petty and false. I'm not the big picture. They are. I'm so grateful for all the things I learned from Darrell and I want to try to be that kind of person you know. Better."
She added: "I wish Vince was more like his brother when it comes to welcoming new people into his world, instead of feeling strapped up or that it's a problem or an inconvenience. Of course it can be overwhelming, I used to watch Darrell every day and marveled at how amazing he was at handling it, but I wish there was more of that in Vinnie. I know he has never really dealt with the death of his brother head on, and instead he's chosen to shut it away and hope that he'll never have to discuss it. If he was open to sharing some of his stories with people, he might just find peace, and if he let people in, he might also just see the big picture I'm talking about."
Asked about the persistent rumors of a PANTERA reunion with Zakk Wylde (BLACK LABEL SOCIETY, OZZY OSBOURNE) filling in for Dimebag on guitar, Vinnie tells Metal Hammer: "All I can say is rumors are rumors.
"I'm not interested because there 's no Dime, and, to me, if there's no Dime, there's no PANTERA.
"That's my reason. It's behind me. I've moved on.
"I play in a band called HELLYEAH and I really love doing it.
"I'm looking forward to moving forward; I don't wanna live in the past."
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