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SLASH Says It’s ‘Impossible To Take Seriously’ Poll Naming ‘Sweet Child’ Second Greatest Riff Of All Time

Slash told an Australian radio station in a new interview that it is "impossible to take seriously" a recent poll in which "Sweet Child O' Mine", the GUNS N' ROSES track from "Appetite For Destruction" that became the band's biggest hit single, was voted the second greatest guitar riff of all time by listeners of BBC Radio 2. "I definitely don't sit there and go, 'Yeah, it's the greatest riff,'" Slash told Triple M (hear audio below). "But it's very surreal when somebody says something like that. It's almost, like... impossible to take it seriously. Do you know what I'm saying? It's not tangible. I mean, obviously, someone is walking around saying that and there's been some sort of a poll. But it's also nonexistent as far as… You know, it's really hard to really take seriously. You're not part of the effort of finding out that information and researching it; all of a sudden, it just appears. So it's something that you sort of take with… You're very appreciative about it and you sort of count your lucky stars that you got mentioned in that position, or even at all, and then you sort of take it with a grain of salt and try not to dwell on it and take it too seriously." LED ZEPPELIN's "Whole Lotta Love" topped the BBC Radio 2 poll, which included 100 riffs drawn up by a panel of Radio 2 and 6 Music DJs, critics and record producers. "Back In Black" (AC/DC) was third in the poll and "Smoke On The Water" (DEEP PURPLE) the next most popular. Slash told a Cincinnati radio station earlier in the year that he wasn't a fan at first of "Sweet Child O' Mine". He explained, "I didn't hate it, but I wasn't fond of 'Sweet Child O' Mine'. And that gives you a good idea of how credible my opinion is. The actual riff itself I love, but the song itself…" Slash added: "GUNS N' ROSES was always a real hardcore sort of AC/DC kind of hard rock band with a lot of attitude. If we did any kind of ballads, it was bluesy. This was an uptempo ballad. That's one of the gayest things you can write… It's a great song — I'm not knocking it — but at the same time, it just did not fit in with the rest of our, sort of, schtick. And, of course, it would be the biggest hit we ever had." "Sweet Child O' Mine" eventually hit No. 1 on the Billboard singles chart and helped propel "Appetite For Destruction" to sales of millions of copies. Slash told The Pulse Of Radio a while back why he thought "Appetite" became such a monster success. "We were the only band that was doing what it was that we were doing, with the attitude that we had," he said. "People were starved for it, because, I mean, other than us, there was SIMPLE MINDS and MÖTLEY CRÜE. I mean, you know, [chuckles] Cyndi Lauper, you know? I mean, that's what was going on then. So people were dying for, like, a real, blood-sweat-and-tears rock-and-roll band." In addition to being the biggest hit from that album, "Sweet Child O' Mine" has been covered by artists ranging from Sheryl Crow to Luna. Slash was asked in a U.K. interview to name the most lucrative song he ever wrote. He replied, "I'd guess 'Sweet Child O' Mine', because it's the most covered."

PHILIP ANSELMO Says METALLICA’s ‘Load’ Album Should Never Have Been Released: ‘It’s A Terrible Record’

Former PANTERA and current DOWN frontman Philip Anselmo talked about some of the records that have had an impact on his life for the "Discs Of Doom" article in the latest issue of U.K.'s Metal Hammer magazine. Asked which album should never have seen the light of day, Anselmo replied: "I would have to say [1996's] 'Load' by METALLICA. I mean, it's a terrible record, man. I just don't get it. If you're gonna put out a record like that, just do a fucking side project or something, ya know?" Anselmo first publicly critized METALLICA's "Load" in 2003, when he slammed the heavy metal giants for touring with supporting acts like LIMP BIZKIT and LINKIN PARK and challenging them to a road duel, head-to-head on any stage, telling an interviewer, "Heavy metal lies in the underground and if they're worried about... Why in the hell would METALLICA be worried about ticket sales? Bring out some fuckin' good bands." He explained: "That was due to a conversation [METALLICA frontman] James Hetfield and I had years ago when I was talking to him about their new album. I think that was when 'Load' was out, and it kind of shocked everybody — everybody was freaked out." Anselmo elaborated in a subsequent interview, claiming that METALLICA never would have shared a stage with PANTERA in the U.S. "because they know what would fuckin' happen. We would fuckin' eat them alive! That's the end of the fuckin' sentence. We would crush 'em." METALLICA drummer Lars Ulrich responded to Anselmo's challenge by saying, "Is he that desperate to tour? I love all these challenges. The ol' step it up...," and adding that Anselmo "has a tendency to talk a lot of horseshit most of the time." Anselmo appeared to soften his tone by the time DOWN and METALLICA toured together in 2008, and two years later, Anselmo told Ultimate Guitar that he considered METALLICA to be "THE ROLLING STONES of metal" in terms of career longevity. In a 2013 interview with Revolver magazine, Lars Ulrich was asked what he felt was METALLICA's most underappreciated release. "I think 'Load' and 'Reload' [1997] are great records," he replied. "They are creatively on par with every other record we've made. Obviously, they're bluesier records, and at that time, we were listening to a lot of LED ZEPPELIN, DEEP PURPLE and AC/DC, and we had a different kind of foundation than records before or after. And I understand that there are people who couldn't quite figure out what was going on with the haircuts and the rest of it, and that's fine. But musically, if you strip all that other stuff away, if you just listen to the 27 songs — 'Load' and 'Reload' were intended as one double-record — it's a great collection of songs that is on par with everything else that we've done creatively. But, I mean, who needs another person to sit there and argue about, you know, fucking 'Carpe Diem Baby'? They are different records, but that was the intention. [Laughs] It's not like we sat there and thought we were remaking '…And Justice For All'. [Laughs] We are obviously aware of that. But I think personally there's great songs on both of those records and I'm very proud of those records."

DAVE LOMBARDO Says Current SLAYER Lineup Is Missing That ‘Certain Magic’

Former SLAYER and current PHILM drummer Dave Lombardo was interviewed on episode 110 of the "Let There Be Talk" podcast with rock and roll comedian Dean Delray. You can now listen to the chat using the SoundCloud widget below. A few exceprt follow below (transcribed by BLABBERMOUTH.NET). On the musical chemistry of the original SLAYER lineup: Lombardo: "I appreciate the nucleus of the band. Like [John] Bonham. When Bonham was part of [LED] ZEPPELIN. When his son [Jason] took over, oh my God. C'mon. Really? I have respect for Jason and for what he's done, but when he put a double-bass pedal on a single bass drum, that just blew it for me. It's, like, 'Really, dude? Your dad was about single bass.' "There is a certain magic — just like with SLAYER, just like with AC/DC with Bon Scott — there's a certain magic when you have those musicians and nobody could replace that. Nobody. That's it. You can't. Yeah, SLAYER's new drummer [Paul Bostaph], yeah, a lot of fans like him. But there's that magic. It's chemistry. It's like when you meet a girl and you two get along really well, and it's like a chemistry; it's something special. Same thing with the band: you get these four guys, [and] they may hate each other, but on stage, there's magic. And that's what's missing, I personally believe." On the business disagreements that led to his latest departure from SLAYER: Lombardo: "It's not just [guitarist] Kerry [King] and it's not [bassist/vocalist] Tom [Araya]. It's who handles all the external business. "I don't wanna get into it too much… I just wanted things to be fair for not just myself, but for the band. Because I was noticing that the band was getting shafted. And it was bad. "You see, when I go on stage and I perform, I perform with all my heart. When I go up there, it's like I'm going to war. It's blood, sweat and passion. "When you do the math, it didn't make sense. You don't need a fucking college degree to do some simple mathematics. And when my attorney and I, we did the math, and we demanded the documents that were necessary to back up what my deal was about, red flags were popping up everywhere. "I mean, my statement [explaining my side of why I sat out SLAYER's Australian tour in early 2013] on Facebook is clear. And it's still there, because if it wasn't true, I'd probably be sued for defamation of character. So, no. It's true and it's backed up by fact, and it's why it's still up there. "All that shit, when it's all said and done, I can't go on stage and know that my bandmates, as well as myself, aren't being compensated for the work that we're doing. 'Cause we're out there, we're the ones out there, travelling, we're the ones sweating, peeling off our clothes that are just fucking full of sweat. And it's, like, 'Really? This is it?' So it just didn't make sense. Especially when you see other bands that are as successful as we are, especially during the 'Big Four' [shows that we played with METALLICA, MEGADETH and ANTHRAX]. And to see how SLAYER was travelling and how everyone else was travelling, it was kind of weird. [I was, like] 'What's going on here?' "It's all good. If they wanna work with that organization, then so be it. But, hey, I'm a punk, and I'll always be a punk and I'll never [be a whipping boy]. Absolutely fucking not. I'm not gonna be that. So that subject, fuck it." On SLAYER's late guitarist Jeff Hanneman, who passed away in May 2013 from alcohol-related cirrhosis of the liver: Lombardo: "I have text messages [from Jeff]… The last text was, like, a month before he passed. 'Cause I wanted to get together with him to discuss what was happening with SLAYER. He wasn't happy at all. He'd text and go, 'What the fuck is going on, Dave?'" On whether Jeff was still getting money while SLAYER was out on the road with Gary Holt (EXODUS) filling in: Lombardo: "[Laughs] Yeah. Yeah, he was, but who's to tell how much? He didn't know a lot of things that were happening, like the other guys didn't either. And it was a surprise to him. "I wanted to get together with him to discuss what was happening to me and to fill him in what I had discovered. But we weren't able to get together. And there was a time where we were gonna get together and chat, and he said, 'Dave, I had a medical scare. I can't get together. We had a couple of medical scares.' Whatever it was. I think it was leading up to liver failure. "We saw it coming. The years leading up to the spider bite, the drinking was getting heavy — very, very heavy. Including, I mean, Kerry as well. I mean, there was one show in Holland, [Kerry] said his equilibrium or something with his hearing, but I think it was that tall glass of vodka that he poured himself before getting on a ferry in London, and he splashed it with Coke. So here we have a large, 32-ounce fucking… a full bottle of vodka with a splash of soda. You're gonna wake up the next day and you're gonna tell me it was, 'Oh, my hearing. Something with my hearing. I couldn't stand up straight.' No, you were fucked up, man. [Laughs]" On playing two songs with METALL

AVENGED SEVENFOLD’s ‘Hail To The King’ Certified Gold In U.S.

AVENGED SEVENFOLD's latest album, "Hail To The King", was certified gold on July 16 by the RIAA (Recording Industry Association Of America) for shipments in excess of 500,000 copies. Released last year, it was the band's second straight CD to debut at No. 1 on the Billboard chart, following 2010's "Nightmare". The latest effort was recorded after the AVENGED SEVENFOLD bandmembers immersed themselves in the music of two classic LPs: METALLICA's Black Album and GUNS N' ROSES' "Appetite For Destruction". "The BLACK SABBATH, AC/DC, ZEPPELIN Influence comes through," AVENGED SEVENFOLD lead guitarist Synyster Gates told TimesLeader.com about "Hail To The King". "We wanted to create space rather than just fill up every song with four bridges and three choruses and vocal harmonies everywhere, with guitar duels going on. The goal was to focus on the songwriting and the arrangements." "Hail To The King" marked AVENGED SEVENFOLD's full-length debut with new drummer Arin llejay, whom Gates described to TimesLeader.com as "one of the most tasteful drummers I've heard in my life… He's got that caveman, barbaric huge groove philosophy that we were trying to go for on this record. He's really got it in his heart and soul. We took the approach of wanting a hungry young kid who could suddenly come out of nowhere and play in front of 50,000 people. He really stepped up." AVENGED SEVENFOLD guitarist Zacky Vengeance told Billboard.com that the band will take "a real quick trip to Japan" after Rockstar Energy Mayhem Festival ends on August 10 and then plans to come off the road in order to start working on a follow-up to "Hail To The King". "I think once we get home, the ideas are going to start brewing," Vengeance says. "I know Syn's been writing a ton purely for fun, trying different styles, recording backstage, keeping himself busy. I've been thinking of all sorts of ideas, listening to tons of different music to get inspiration — as have all of us. And being on tour, I'm so inspired. Seeing bands like BODY COUNT with Ice-T out there, they're so old-school and riff-based and over the top and slightly offensive and it's fuckin' awesome. So there's tons of inspiration that I know we'll be drawing from." AVENGED SEVENFOLD and KORN are co-headlining this year's Rockstar Energy Drink Mayhem Festival, which kicked off its annual run on July 5 in Devore, California. Other acts on the bill include ASKING ALEXANDRIA, SUICIDE SILENCE, TRIVIUM, MISS MAY I and more. AVENGED SEVENFOLD will reissue its breakthrough second album, "Waking The Fallen", in a new special edition on August 26. "Waking The Fallen: Resurrected" will include a total of 23 tracks, including 11 never-before-heard songs, new artwork, the original first cut of the music video for "Unholy Confessions" and a 30-minute film featuring the present-day band.

TIM ‘RIPPER’ OWENS: ROB HALFORD’s Return To JUDAS PRIEST ‘Was Good For Me’

Russia's Classic Rock magazine has uploaded a 14-minute video report on the April 18 concert in Moscow from PROJECT ROCK (formerly ROCKSTAR), the new band featuring former and current members of JUDAS PRIEST, ALICE COOPER, OZZY OSBOURNE and AC/DC. The clip includes performance footage as well as an interview with the group's lead singer, Tim "Ripper" Owens, who has previously fronted JUDAS PRIEST, ICED EARTH, YNGWIE MALMSTEEN and DIO DISCIPLES. Asked how much of the 2001 Warner Bros. movie "Rock Star", starring Mark Wahlberg as a salesman-turned-rock star, was styled after Owens, who fronted a JUDAS PRIEST cover band before being tapped to become the new lead singer of the actual group, Tim said: "When they first [got the idea to do] the 'Rock Star' movie [under its original name 'Metal God'], it was really gonna be about me. And then JUDAS PRIEST pulled away from it, because they didn't like some things. So [the producers] really made their own movie, I think. The similarities were that I auditioned for JUDAS PRIEST and I sang one line of a song and hit a note and made the band. But then a lot of the things, they kind of went out… I mean, I wasn't that kind of fan when I made the band, because I was that kind of crazy kid in high school in the '80s. But this was 1996, so I wasn't living at my parents' with posters on the walls. I mean, it was still pretty cool. I mean, to have a movie loosely based on you is pretty cool." Regarding whether it was ironic that the "Rock Star" movie became almost prophetic in the sense that Mark Wahlberg's character in the film ends up playing small clubs with his original material after the band's original lead singer rejoins the group, Owens said: "For me, the movie was almost [like real life]. Rob [Halford] came back [to JUDAS PRIEST], which was good for me, to be honest. My career, I went on to do a lot of stuff. It was better for the band, it was better for Rob. So it was kind of funny. I think I became a little bit bigger than the coffee shop singer that Mark Wahlberg was in the movie in the end, just playing there. I still get to play in front of thousands of people in Russia. But it is similar how he went on to do his own thing." Owens also spoke about the progress of the recording sessions for the debut album from PROJECT ROCK, which also features Keri Kelli (SLASH'S SNAKEPIT, ALICE COOPER, RATT) on guitar, Simon Wright (DIO, AC/DC, UFO, DIO DISCIPLES, Geoff Tate's QUEENSRŸCHE) on drums, Rudy Sarzo (OZZY OSBOURNE, QUIET RIOT, WHITESNAKE, DIO) on bass and Teddy "Zig Zag" Andreadis (GUNS N' ROSES) on keyboards. "I just finished the vocals," he said. "I flew from L.A. — I was in the studio with Keri — I flew directly here. The vocals are done. It's almost done. Probably, like, a September release, maybe. But it's gonna be great. We're really looking forward to it. Keri and I busted our butts on it, especially Keri." In a 2012 interview with Loud magazine, Owens stated about his departure from JUDAS PRIEST: "Well, you know, we all knew that Rob would come back eventually. That was a given. I love the guys in PRIEST, and if there's anything where I look back and wish, 'Oh man I wish it could have worked out,' that would probably be it. I was glad to see Rob come back, [but] I do wish they would play some of my material when they're out there [on the road]." Owens recorded two studio albums with JUDAS PRIEST — 1997's "Jugulator" and 2001's "Demolition" — before the band reunited with Halford in 2003.

LARS ULRICH: METALLICA Will ‘Hopefully’ Record New Album Next Year

METALLICA drummer Lars Ulrich was interviewed earlier this month on the "La Viola" show on the Argentinian TV channel TN. You can now watch the report below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET). On whether all the criticism has encouraged METALLICA to do things differently over the years: Ulrich: "I think METALLICA has been criticized more or less since the beginning. I mean, the hard rock fans take it very seriously, and I think sometimes too seriously. They're very vocal — they're passionate — but sometimes you have to kind of balance that off with saying, 'Okay, everybody, let's just calm down. It's just rock and roll,' or whatever. So I think we try to find the right balances. The members of METALLICA have always been very curious and very interested in different things and open to different ways of doing things. I think when we were young, when you're not so confident, when we were young, we were really trying to play a lot and show how talented we were. Now, I think, we're not so worried about whether people think we're talented or not. Now, because we're so comfortable with who we are… I think as you get a little older and get a little more experience, you become less worried about what people think of you and you become more comfortable with yourself. I think we've always tried with our fans to say, 'We are METALLICA and we will do things our way, we will do it differently. Come along for the ride, but if you wanna come along for that ride, know that it's gonna be a ride that's gonna take us to many different places." On whether he and the rest of METALLICA were joking when they said they were "Beliebers" — a.k.a. fans of pop singer Justin Bieber: Ulrich: "No. You know, he's a talented kid. He's talented. I mean, obviously, he doesn't make it easy for himsef, and I can only imagine how difficult it must be to have to deal with everybody being on top of him 24 hours a day; I don't wish that upon anybody." On what kind of music he listens to in his spare time: Ulrich: "I listen mostly to what my kids listen to, 'cause they always hijack the stereo, they steal the stereo in the car. We get into the car and they take control of the iPod. So, thankfully, my kids listen to SYSTEM OF A DOWN, FOO FIGHTERS, ARCTIC MONKEYS, QUEENS OF THE STONE AGE, AC/DC…" On what it's like being in METALLICA in 2014: Ulrich: "It's exciting. It's been an exciting time. The last, I don't know, six months, we finished our movie, we went to the Antarctic, we played the Grammys again, which was nice. We've started writing songs and preparing for the next record, so that's very exciting. We're down here among all of you beautiful people and playing [the] 'By Request' [setlist] and going to new places. We were in Quito two days ago, where we'd never been [before]. We're playing a new song ['The Lords Of Summer'] on stage, which people seem to be very receptive to. We're writing away. We've got some good ideas. Our biggest problem is not the ideas, our biggest problem is time. METALLICA is busier than ever, and it just seems like there's more and more going on and the days get shorter and shorter. But, hopefully, we will be done writing this year and next year we should record and hopefully have a new record out maybe next year. We'll see. Hopefully next year."

DAVE LOMBARDO Doesn’t Think He Will Play With SLAYER Ever Again

Former SLAYER and current PHILM drummer Dave Lombardo was interviewed on the March 16 edition of the "Radio Screamer" show. You can now watch the chat below. A couple of excerpts follow (transcribed by BLABBERMOUTH.NET). On what it is that keeps him coming back to SLAYER: Lombardo: "Oh, well, I don't think that's ever gonna happen again. Well, the reason why… I mean, time passed. It was ten years. When I returned in 2001, it had been already ten years that I was out of the band, and it felt like it was the right time. It was water under the bridge, we didn't have any grudges, but apparently that really wasn't the case, because later I find out that, 'Oh, well, he left in '92, so just get him out again.'" On the importance of learning the ins and outs of the music business while pursuing a career as a musician: Lombardo: "It's something that you learn as you go along. And it's a tough road, especially when you're told that everything's taken care of, you're well taken care of, and you trust these people and you don't think twice. But then, of course, like AC/DC says, the rock star, and the businessman gets rich. "We need to make, I think, drummers aware of their position in the band and spread the word that musicians need to educate themselves not only in their music and their chops and their style and whatever, but they need to really learn the business, because it turns out that a band ends up being a business and each member becomes a quarter shareholder, or a COO [chief operating officer] of the band. So it's very important." On his most recent split with SLAYER: Lombardo: "I really don't wanna get into the details, but I take this departure like any other change in life. You just go with it. I, luckily, had a band that I had put back together before this whole thing went down with SLAYER. And you just move forward; you don't look back." On late SLAYER guitarist Jeff Hanneman: Lombardo: "The arm, basically, they fixed it and they did everything they could do to help him [after he contracted necrotizing fasciitis, also known as flesh-eating disease, from a spider bite in his backyard in January 2011]. But I think the motor skill to play guitar just wasn't there. You know, we gave him a chance and maybe we could have put him a little low in the mix, but still, it just wasn't working right. 'Cause you have to have a certain ability to play this style of music. And it just wasn't there. It's unfortunate. "Shortly after he died, I spent the afternoon with his wife and I just hung out with her. We went out to dinner. It's rough. But, unfortunately, it was a downward spiral for him. Obviously, it was depressing for him to have this situation happen to his arm, and him not being able to play, he resorted to drinking more than he was already doing. And, like I said, it was a downward spiral." On how the surviving members of SLAYER have dealt with the loss of their childhood friend: Lombardo: "I don't know how Kerry [King, guitar] and Tom [Araya, bass/vocals] responded. By how they responded at the memorial, it was pretty shallow. It was rough for me, because Jeff and I spent a lot of time on the tour bus. We'd get picked up at the hotel and show up at the venue by 4:30 and we would stay chilling on the bus until showtime. So there was a lot of interaction, there was a lot of chatting, a lot of talking, we'd watch TV, we'd listen to music. He loved my iPod, 'cause I had so many different styles of music. He'd say, 'Dude, throw your iPod on.' We'd laugh and joke around and sometimes I'd surprise him with some music that he'd never heard of before. So there was lot of memorable times that Jeff and I had. And it sucks, dude. It's terrible when a bandmate dies, because that magic is forever lost. That band had a certain chemistry when all four of us were on stage. And not taking anything away from Gary Holt [of EXODUS] — he took Jeff's place and he's done an amazing job — but still there's something [that is missing that simply cannot be replaced]."