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BEHEMOTH: Final Teaser For ‘Blow Your Trumpets Gabriel’

The third and final teaser for "Blow Your Trumpets Gabriel", the brand new video from Polish extreme metallers BEHEMOTH, can be seen below. The song will be released as a digital single and limited-edition 12-inch EP on December 4 via Behemoth/New Aeon Musick in Europe. The gatefold EP will be limited to 2,000 copies (1,000 on white and 1,000 on black 180-gram vinyl), all of which will be hand numbered and signed by the BEHEMOTH bandmembers. In addition to the title track, the single will include two more compositions that will not appear on BEHEMOTH's tenth full-length album, "The Satanist": "If I Were Cain" and a cover of "Ludzie Wschodu" from the influential 1980s Polish punk rock band SIEKIERA. The music video for "Blow Your Trumpets Gabriel", which was described by BEHEMOTH frontman Adam "Nergal" Darski as "killer" and "a monster," was directed by Polish producers Grupa 13, with whom BEHEMOTH previously collaborated on the clips for "At The Left Hand Ov God" and "Ov Fire And The Void". "Blow Your Trumpets Gabriel" single release dates: Dec. 4: U.S. Dec. 8: U.K. Dec. 6: Rest Of Europe Fan-filmed video footage of BEHEMOTH performing "Blow Your Trumpets Gabriel" during their October 19 appearance at this year's edition of the Loud Park festival at Saitama Super Arena in Tokyo, Japan can be seen below. "The Satanist" is due in early 2014 via Nuclear Blast in Europe and Metal Blade in North America. The CD was recorded at Hertz studio in Bialystok, Poland with the help of the Wieslawscy brothers (Wojtek and Slawek) and Daniel Bergstrand (MESHUGGAH, IN FLAMES, SOILWORK, STRAPPING YOUNG LAD). Other songtitles set to appear on the effort include "Messe Noir" (French for "The Black Mass") and "Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer"). The effort was mixed by Matt Hyde (SLAYER, HATEBREED, CHILDREN OF BODOM) and was mastered by Ted Jensen (METALLICA, AC/DC) at Sterling Sound in New York City. "The Satanist" cover artwork was painted with Nergal's own blood. He provided a container of his plasma to Russian symbolist painter and occultist Denis Forkas in Moscow. Forkas then blended the blood into the painting so that it would have a more "organic" feel. Additional artwork was handled by Metastazis and Zbigniew Bielak. "I wanted to incorporate some of my DNA into the art," Nergal told Australia's Heavy magazine. "This album seems to be so defining of who we are now as people and as individuals, and considering all the instances in recent years, [we wanted] to make it more 'ours' than it is usually." In a recent interview with Revolver magazine, Darski described BEHEMOTH's new songs as "very atmospheric" and "very emotional." "Think BURZUM meets NEW ORDER meets KILLING JOKE," he added. But at the same time, fans shouldn't expect the album to sound too far removed from BEHEMOTH's past efforts. "Take SLAYER, for example," Darski said. "Whatever genre they deal with, they still end up sounding like SLAYER. Even when they were flirting with nu-metal, it was a SLAYER record. Same with BEHEMOTH." According to Darski, at least some of the inspiration for the new BEHEMOTH album came from his five-month bout of leukemia he overcame in January 2011, after receiving a bone-marrow transplant. "When I was in the hospital, I was collecting experiences and emotions," he said. "I'm pretty sure that it's coming out now. There are moments I catch myself thinking about how my state was back then. It was me versus life, me versus death. It definitely changed my thoughts a lot. It's 100 percent being reflected in the record and songs I'm writing nowadays. I'm way more radical than I used to be." "Blow Your Trumpets Gabriel" teaser #3:

BEHEMOTH To Release ‘Blow Your Trumpets Gabriel’ Single, Video; First Teaser Available

A teaser for "Blow Your Trumpets Gabriel", the brand new video from Polish extreme metallers BEHEMOTH, can be seen below. The song will be released as a digital single and limited-edition 12-inch EP on December 4 via Behemoth/New Aeon Musick in Europe. The gatefold EP will be limited to 2,000 copies (1,000 on white and 1,000 on black 180-gram vinyl), all of which will be hand numbered and signed by the BEHEMOTH bandmembers. In addition to the title track, the single will include two more compositions that will not appear onBEHEMOTH's tenth full-length album, "The Satanist": "If I Were Cain" and a cover of"Ludzie Wschodu" from the influential 1980s Polish punk rock band SIEKIERA. The music video for "Blow Your Trumpets Gabriel", which was described by BEHEMOTHfrontman Adam "Nergal" Darski as "killer" and "a monster," was directed by Polish producersGrupa 13, with whom BEHEMOTH previously collaborated on the clips for "At The Left Hand Ov God" and "Ov Fire And The Void". Fan-filmed video footage of BEHEMOTH performing "Blow Your Trumpets Gabriel" during their October 19 appearance at this year's edition of the Loud Park festival at Saitama Super Arena in Tokyo, Japan can be seen below. "The Satanist" is due in early 2014 via Nuclear Blast in Europe and Metal Blade in North America. The CD was recorded at Hertz studio in Bialystok, Poland with the help of theWieslawscy brothers and Daniel Bergstrand (MESHUGGAH, IN FLAMES, SOILWORK,STRAPPING YOUNG LAD). Other songtitles set to appear on the effort include "Messe Noir"(French for "The Black Mass") and "Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer"). The effort was mixed by Matt Hyde (SLAYER, HATEBREED, CHILDREN OF BODOM) and was mastered by Ted Jensen (METALLICA, AC/DC) at Sterling Sound in New York City. "The Satanist" cover artwork was painted with Nergal's own blood. He provided a container of his plasma to Russian symbolist painter Denis Forkas in Moscow. Forkas then blended the blood into the painting so that it would have a more "organic" feel. Additional artwork was handled by Metastazis and Zbigniew Bielak. "I wanted to incorporate some of my DNA into the art," Nergal told Australia's Heavymagazine. "This album seems to be so defining of who we are now as people and as individuals, and considering all the instances in recent years, [we wanted] to make it more 'ours' than it is usually." In a recent interview with Revolver magazine, Darski described BEHEMOTH's new songs as "very atmospheric" and "very emotional." "Think BURZUM meets NEW ORDER meets KILLING JOKE," he added. But at the same time, fans shouldn't expect the album to sound too far removed from BEHEMOTH's past efforts. "Take SLAYER, for example," Darski said. "Whatever genre they deal with, they still end up sounding like SLAYER. Even when they were flirting with nu-metal, it was a SLAYER record. Same with BEHEMOTH."

BEHEMOTH: ‘Blow Your Trumpet’ Performance Footage From Japan’s LOUD PARK Festival

Polish extreme metallers BEHEMOTH played a brand new song called "Blow Your Trumpet, Gabriel" during their October 19 appearance at this year's edition of the Loud Park festival at Saitama Super Arena in Tokyo, Japan. You can now watch fan-filmed video footage of the performance below. "Blow Your Trumpet, Gabriel", which was previously described by BEHEMOTH frontmanAdam "Nergal" Darski as "killer" and "a monster," will be included on the band's tenth full-length album, "The Satanist", due in early 2014 via Nuclear Blast in Europe and Metal Bladein North America. The CD was recorded at Hertz studio in Bialystok, Poland with the help of the Wieslawscy brothers and Daniel Bergstrand (MESHUGGAH, IN FLAMES, SOILWORK,STRAPPING YOUNG LAD). Other songtitles set to appear on the effort include "Messe Noir"(French for "The Black Mass") and "Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer"). In a recent interview with Revolver magazine, Darski described BEHEMOTH's new songs as "very atmospheric" and "very emotional." "Think BURZUM meets NEW ORDER meets KILLING JOKE," he added. But at the same time, fans shouldn't expect the album to sound too far removed from BEHEMOTH's past efforts. "Take SLAYER, for example," Darski said. "Whatever genre they deal with, they still end up sounding like SLAYER. Even when they were flirting with nu-metal, it was a SLAYER record. Same with BEHEMOTH." According to Darski, at least some of the inspiration for the new BEHEMOTH album is coming from his five-month bout of leukemia he overcame in January 2011, after receiving a bone-marrow transplant. "When I was in the hospital, I was collecting experiences and emotions," he said. "I'm pretty sure that it's coming out now. There are moments I catch myself thinking about how my state was back then. It was me versus life, me versus death. It definitely changed my thoughts a lot. It's 100 percent being reflected in the record and songs I'm writing nowadays. I'm way more radical than I used to be."

Report: Shadow Gallery + Support Acts – Athens, Greece

A band made out of our wildest dreams and two support bands I hadn’t seen in years. Which better reason to attend a gig in a warm October night? Three years after their first phenomenal visit in Greece, Americans progsters Shadow Gallery came back to finish what they had started in 2010. The show was promising from the very beginning with the announcement of the support bands, Greek heavy progsters Wastefall and heavy/power metallers Dark Nova, and having seen Wastefall supporting Black Sabbath in 2005 and Dark Nova playing with bands like Rage and Testament before even the ‘00s decade, I knew what to wait from two of the most important bands of our country which for various reasons, never got the attention and publicity they deserved. Seven minutes after eight o’clock, Wastefall entered the stage and it was a great joy to see nothing changing compared to what I knew. The quartet delivered really heavy progressive metal, mainly based on the marvellous ‘’Soulrain 21’’ album, with touches from their latest internet release ‘’Meridiem’’. Their singer was about to audition for Ark once if I’m not wrong and he showed us all how it is to be able and play great riffs and have a voice that fits the genre. The best thing about this band is that despite being a progressive one, they are even heavier than you can imagine and they are the best possible answer to progsters who sacrifice their heaviness in order to sound more mellow or emotional. Wastefall can sound like everything you want from a modern thinking metal band with a very traditional way of acting on the stage and without forgetting to power it up when needed. I also liked the use of cymbals of their drummer, the guy hit everything and he adds a lot to their sound. I hope they’ll be releasing stuff more often and they won’t miss a second chance given to them to become real leaders in the Greek scene. Dark Nova came out with the air of the experienced band and even if the sound in the first two tracks was burying the heavy riffs somehow, the continuation was much better. They have a bassist that is the epitome of his organ, a seven string monster which looks very much like the eight string guitars Meshuggah are using. Together with the help of the relentless pounding of the drummer, they created a rhythm section many bands would be jealous about. The guitarist was always pulling new riffs from his chest and the lady in the keyboards showed how it must be to have a woman in your band. She was not just standing like a primadonna like many other ladies in bands do, but she was also headbanging while playing, showing a real metal attitude. Last but definitely not least comes the singer who helps the band and delivered a great performance. Highlights of the night were ‘’Twilight Star’’ (from the legendary ‘’Dark Rhapsodies’’ debut), ‘’Temptation’’ from the ‘’1999-A Step Beyond’’ album) and for the end, the ‘’Dark Nova’’ track which is also the title of their latest album. After forty five minutes and with the joy painted on their faces, knowing they had done the best they could and getting the applause of the crowd, they left the stage and we were ready for Shadow Gallery. Time for magic, time for joy, time to forget all our problems, though we suspected it, we didn’t imagine it would be in such a scale. Shadow Gallery made such a performance once again that they make you believe in God, in music’s power around the world and in a better tomorrow in general. If the first time we saw them is marked as most special in our hearts, then this second visit of theirs is simply the establishment of their talent, of the transmission of countless feelings through their music and of their undisputed skill to sound even better than in their six wonderful albums. In a band where every member is a protagonist and three of them switch from guitars, keyboards and singing, then I don’t know what else someone else could expect. When Brian Ashland says ‘’this is our home’’ just at the very beginning of the show, you understand how happy they felt for coming back. When they play ‘’Don’t Ever Cry, Just Remember’’, you get the feeling that Mike Baker is up there, watching proudly his friends getting recognized in front of people amazed with the band’s shine on the stage. When they play ‘’Alaska’’ they remind us that they can offer surprises as well, when they play ‘’Pain’’ you can see why Ashland is a very expressive singer and why their latest album ‘’Digital Ghosts’’ can look the other five albums straight in the eyes. When you know they’re going to celebrate fifteen years from the release of ‘’Tyranny’’ you expect them to unleash hymns like ‘’Stilleto In The Sand’’, ‘’War For Sale’’, ‘’Mystery’’, you even expect the guest D.C. Cooper to give an extra touch to ‘’New World Order’’ or ‘’Christmas Day’’, but you don’t imagine how much of a chemistry there is between them and the Royal Hunt frontman, about ten minutes are enough to witness the difference with his presence and the gig boosting up in colossal levels of musicianship, like watching the greatest theater performing flawlessly in front of you, like seeing something of the Savatage magic in their music (the show started with ‘’Bohemian Rhapsody’’ of Queen on the speakers, like Savatage did with other Queen tracks), you don’t expect they’ll give you a die-hard moment like ‘’2 Minutes To Midnight’’ of Iron Maiden played in a furious way (I wish Iron Maiden could sound even a bit like this today…) and when the gig closes with ‘’Gold Dust’’ with Ashland singing among the crowd and ‘’Crystalline Dream’’, you simply realize that all you lived for more than two hours was reality and not a dream. They thank the crowd collectively, though the crowd should spend years in thanking them for what they offer. You see the joy in their faces and they see the tears in the faces of many fans. The relationship between Shadow Gallery and the Greek fans can’t even be compared with the movie made loves at first sight (include first listening as well). This night we forgot about problems, thoughts, internal conflicts, crisis and needless argues between us. This night we were free to feel happy again, like we did five, ten, fifteen years ago with such incidents. This night was added to one of the best in our entire lives until we close our eyes. There’s nothing more precious than this. Thank you Shadow Gallery for making this all happen and for letting us understand that this better second time you came here was the reason to realize that the first time was really true and not just a thought in our minds. I bet a fortune that it’s going to be a day set for many people to re-arrange their lives and think of many stuff from the beginning. Food for positive thought definitely!

Interview: Soulfly (Max Cavalera)

Legendary groove metal band SOULFLY return with its new album "Savages" which is going to be released in October 2013 by Nuclear Blast. Metalpaths grabbed the chance to talk with one of the most legendary figures in heavy metal, the main creator of "Savages" and founder of Soulfy; Mr. Max Cavalera.

Darkane
The Sinister Supremacy

It took them forty months but they finally made it and returned with a great album. Darkane from Helsingborg, Sweden were wrongly put into the wave of Swedish bands that emerged after the successful self-titled debut of The Haunted.

Portal
Vexovoid

I must admit I do not know the Aussie death metal scene at all. The only exception may be Psycroptic. When I was given the responsibility for this review I didn’t have any idea for what to expect. Portal though was a nice surprise.

BEHEMOTH: ‘The Satanist’ Pushed Back To 2014

"The Satanist", the tenth full-length album from Polish extreme metallersBEHEMOTH, has had its release date pushed back to 2014 via Nuclear Blast in Europe and Metal Blade in North America. The CD was recorded at Hertz studio in Bialystok, Poland with the help of the Wieslawscybrothers and Daniel Bergstrand (MESHUGGAH, IN FLAMES,SOILWORK, STRAPPING YOUNG LAD). Songtitles set to appear on the effort include "Blow Your Trumpet, Gabriel" — described by Darski as "killer" and "a monster"; "Messe Noir" (French for "The Black Mass"); and"Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer").

BEHEMOTH Frontman Says New Album Is ‘Spectacular’

Polish extreme metallers BEHEMOTH have completed mixing their tenth full-length album, "The Satanist", for a fall release via Nuclear Blast in Europe and Metal Blade in North America. The CD was recorded at Hertzstudio in Bialystok, Poland with the help of the Wieslawscy brothers andDaniel Bergstrand (MESHUGGAH, IN FLAMES, SOILWORK, STRAPPING YOUNG LAD). Songtitles set to appear on the effort include "Blow Your Trumpet, Gabriel" — described by Darski as "killer" and "a monster";"Messe Noir" (French for "The Black Mass"); and "Ora Pro Nobis, Lucifer" (Latin for "Pray For Us, Lucifer"). Comments BEHEMOTH guitarist/vocalist Adam "Nergal" Darski: "I'm listening to the new mix of the album... and it's SPECTACULAR. If you can imagine something that beats the shit out of 'Evangelion', this is it! "We shall take another six months before we put it out... Sorry, but that's what it needs. Be patient. This album will shake the Mount Sinai!" In a recent interview with Revolver magazine, Darski describedBEHEMOTH's new songs as "very atmospheric" and "very emotional." "Think BURZUM meets NEW ORDER meets KILLING JOKE," he added. But at the same time, fans shouldn't expect the album to sound too far removed from BEHEMOTH's past efforts. "Take SLAYER, for example,"Darski said. "Whatever genre they deal with, they still end up sounding like SLAYER. Even when they were flirting with nu-metal, it was aSLAYER record. Same with BEHEMOTH."