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BLACK SABBATH

ORCHID: ‘The Mouths Of Madness’ Video Released

"The Mouths Of Madness", the video for the title track of the new album from San Francisco-based doom rockers ORCHID, can be seen below. The CD was released on April 26 via Nuclear Blast Records. Guitarist Mark Thomas Baker stated about the extensive "The Mouths Of Madness"production process: "Most of the tracks on 'The Mouths Of Madness' were cut in early June 2012. We were pretty fresh off of our European tour and full of confidence. The basics done at that time were the best recording experience that we've had so far. Everybody got along great and did great work. "We did this album with a completely different guitar sound than 'Capricorn'. I think it sounds much heavier in that regard. We take a lot of time to get things right. I hope people enjoy it and let it sink in. I think it's miles above our past efforts." Mastering engineer Richard Whittaker, who also took care of the latest BLACK SABBATH andTHIN LIZZY rereleases/analogue transfers, comments: "I've been a huge fan of ORCHID since I first heard their debut EP back in 2009, and they've certainly come a long way since then. So, as you can imagine, to be asked to work with ORCHID on their records was an honour and a pleasure. They're a great bunch of guys and a stellar band to be involved with. "'The Mouths Of Madness' is such a well-crafted and awe-inspiring album. Sonically, its 1974 meets 2013 which, for me, takes the SABBATH/PENTAGRAM vibe to whole new level." ORCHID was named "the best and most important doom band of the past five years" by Rock Hard Germany's editor-in-chief Götz Kühnemund. In addition, BEHEMOTH mainman Adam "Nergal" Darski stated: "BLACK SABBATH should do an album like 'The Mouths Of Madness'!" Since its inception in 2006, ORCHID — which features in its ranks well-known tattoo artistTheo Mindell on vocals — has achieved massive global awareness with their stunning releases"Through The Devil's Doorway" (EP, 2009) and "Capricorn" (full-length, 2011). On November 15, ORCHID will release "The Zodiac Sessions", which consists of "Through The Devil's Doorway" and "Capricorn". 

For "The Zodiac Sessions", both releases have been completely remastered and put on one CD in a lavish digipak featuring an all new cover art, created by the band's gifted singer, Theo Mindell. On November 1, ORCHIDwill kick off a European headlining tour alongside labelmates BLUES PILLS and SCORPION CHILD. ORCHID is: Theo Mindell: Vocals

Report: Shadow Gallery + Support Acts – Athens, Greece

A band made out of our wildest dreams and two support bands I hadn’t seen in years. Which better reason to attend a gig in a warm October night? Three years after their first phenomenal visit in Greece, Americans progsters Shadow Gallery came back to finish what they had started in 2010. The show was promising from the very beginning with the announcement of the support bands, Greek heavy progsters Wastefall and heavy/power metallers Dark Nova, and having seen Wastefall supporting Black Sabbath in 2005 and Dark Nova playing with bands like Rage and Testament before even the ‘00s decade, I knew what to wait from two of the most important bands of our country which for various reasons, never got the attention and publicity they deserved. Seven minutes after eight o’clock, Wastefall entered the stage and it was a great joy to see nothing changing compared to what I knew. The quartet delivered really heavy progressive metal, mainly based on the marvellous ‘’Soulrain 21’’ album, with touches from their latest internet release ‘’Meridiem’’. Their singer was about to audition for Ark once if I’m not wrong and he showed us all how it is to be able and play great riffs and have a voice that fits the genre. The best thing about this band is that despite being a progressive one, they are even heavier than you can imagine and they are the best possible answer to progsters who sacrifice their heaviness in order to sound more mellow or emotional. Wastefall can sound like everything you want from a modern thinking metal band with a very traditional way of acting on the stage and without forgetting to power it up when needed. I also liked the use of cymbals of their drummer, the guy hit everything and he adds a lot to their sound. I hope they’ll be releasing stuff more often and they won’t miss a second chance given to them to become real leaders in the Greek scene. Dark Nova came out with the air of the experienced band and even if the sound in the first two tracks was burying the heavy riffs somehow, the continuation was much better. They have a bassist that is the epitome of his organ, a seven string monster which looks very much like the eight string guitars Meshuggah are using. Together with the help of the relentless pounding of the drummer, they created a rhythm section many bands would be jealous about. The guitarist was always pulling new riffs from his chest and the lady in the keyboards showed how it must be to have a woman in your band. She was not just standing like a primadonna like many other ladies in bands do, but she was also headbanging while playing, showing a real metal attitude. Last but definitely not least comes the singer who helps the band and delivered a great performance. Highlights of the night were ‘’Twilight Star’’ (from the legendary ‘’Dark Rhapsodies’’ debut), ‘’Temptation’’ from the ‘’1999-A Step Beyond’’ album) and for the end, the ‘’Dark Nova’’ track which is also the title of their latest album. After forty five minutes and with the joy painted on their faces, knowing they had done the best they could and getting the applause of the crowd, they left the stage and we were ready for Shadow Gallery. Time for magic, time for joy, time to forget all our problems, though we suspected it, we didn’t imagine it would be in such a scale. Shadow Gallery made such a performance once again that they make you believe in God, in music’s power around the world and in a better tomorrow in general. If the first time we saw them is marked as most special in our hearts, then this second visit of theirs is simply the establishment of their talent, of the transmission of countless feelings through their music and of their undisputed skill to sound even better than in their six wonderful albums. In a band where every member is a protagonist and three of them switch from guitars, keyboards and singing, then I don’t know what else someone else could expect. When Brian Ashland says ‘’this is our home’’ just at the very beginning of the show, you understand how happy they felt for coming back. When they play ‘’Don’t Ever Cry, Just Remember’’, you get the feeling that Mike Baker is up there, watching proudly his friends getting recognized in front of people amazed with the band’s shine on the stage. When they play ‘’Alaska’’ they remind us that they can offer surprises as well, when they play ‘’Pain’’ you can see why Ashland is a very expressive singer and why their latest album ‘’Digital Ghosts’’ can look the other five albums straight in the eyes. When you know they’re going to celebrate fifteen years from the release of ‘’Tyranny’’ you expect them to unleash hymns like ‘’Stilleto In The Sand’’, ‘’War For Sale’’, ‘’Mystery’’, you even expect the guest D.C. Cooper to give an extra touch to ‘’New World Order’’ or ‘’Christmas Day’’, but you don’t imagine how much of a chemistry there is between them and the Royal Hunt frontman, about ten minutes are enough to witness the difference with his presence and the gig boosting up in colossal levels of musicianship, like watching the greatest theater performing flawlessly in front of you, like seeing something of the Savatage magic in their music (the show started with ‘’Bohemian Rhapsody’’ of Queen on the speakers, like Savatage did with other Queen tracks), you don’t expect they’ll give you a die-hard moment like ‘’2 Minutes To Midnight’’ of Iron Maiden played in a furious way (I wish Iron Maiden could sound even a bit like this today…) and when the gig closes with ‘’Gold Dust’’ with Ashland singing among the crowd and ‘’Crystalline Dream’’, you simply realize that all you lived for more than two hours was reality and not a dream. They thank the crowd collectively, though the crowd should spend years in thanking them for what they offer. You see the joy in their faces and they see the tears in the faces of many fans. The relationship between Shadow Gallery and the Greek fans can’t even be compared with the movie made loves at first sight (include first listening as well). This night we forgot about problems, thoughts, internal conflicts, crisis and needless argues between us. This night we were free to feel happy again, like we did five, ten, fifteen years ago with such incidents. This night was added to one of the best in our entire lives until we close our eyes. There’s nothing more precious than this. Thank you Shadow Gallery for making this all happen and for letting us understand that this better second time you came here was the reason to realize that the first time was really true and not just a thought in our minds. I bet a fortune that it’s going to be a day set for many people to re-arrange their lives and think of many stuff from the beginning. Food for positive thought definitely!

PHILIP ANSELMO: ‘I Consider Myself An Explorer In Music’

Smells Like Infinite Sadness recently conducted an interview with former PANTERA and current DOWN vocalist Philip Anselmo. A couple of excerpts from the chat follow below. Smells Like Infinite Sadness: When did you decide you wanted to make a solo album? Anselmo: That's a tough thing to pinpoint, but if you look at my track record at all, even when I was in PANTERA and all throughout those crazy years of incredible memories, and, honestly, great success, I was always doing different projects. And really I think as a musician… to be pinned down to one genre, it feels a little bit unfair. I guess I consider myself an explorer in music. You know, DOWN is what is it is: a BLACK SABBATH-based band that happens to have a Southern feel and maybe that's because of where we come from and how we get things across… but we know that at the end of the day when we go to write DOWN music how it's going to turn out and what it should turn out to be. For me as far as doing the solo record… I'm a big fan of extreme music of all sorts, and especially death metal and black metal, and any subgenre that may fall in between the cracks… And I wanted to create a record that I felt was as extreme as anything out there but with perhaps a different twist on its approach, whether it be lyrically or just pure attitude-wise. So whether I've done that, I guess time will tell… so right now DOWN and my solo band (THE ILLEGALS) are my only two working bands, and I'm going to try to keep it like that for semi simplicity, or maybe quasi simplicity's fucking sake. We'll see how it goes from there, man. I have to give a little shoutout to the fact that my solo band has another EP coming out strictly for the [Housecore Horror Film & Music Festival]; it's a two-song, 10-inch vinyl and very different than anything off "Walk Through Exits Only". I think that's its epic in its own way, as a matter of fact. The EP is called "Housecore Horror Film Fest EP"… [I] think the B-side is really one of the most epic songs I've ever written in my life. Smells Like Infinite Sadness: How does the live experience differ from you with DOWN vs. THE ILLEGALS? Does each set feel different for you (for lack of a better term) when playing for an audience? Anselmo: It is different, man. DOWN has been around for a long time. We did our first demo in ‘92, and I guess our first record came out in ‘95… and DOWN has a very strong core fan base whereas THE ILLEGALS are looked at as something new, something different. I think people are still wrapping their heads around it, whereas with DOWN, everyone's familiar with the stuff and they know the personalities on stage and the songs inside and out. So there is a difference there, a different type of energy a different type of approach and a different type of crowd reaction… so it's a little bit different on both scales of the spectrum. But that's fine by me. I'm really cool with the unexpected. It is what it is and that's how the ball bounces and I'll take it.

MEGADETH To Tour U.S. With FEAR FACTORY, NONPOINT

Following the success of Gigantour 2013 and sold-out shows with IRON MAIDEN and BLACK SABBATH, MEGADETH has confirmed the "Super Collider" tour. The cross-country trek kicks off in St. Paul, Minnesota on November 23 and makes stops in Detroit, Boston and Charlotte, along with other markets. Support on the tour will come from FEAR FACTORY and NONPOINT. MEGADETH has partnered with On The List Presents to offer a variety of VIP packages, including meet-and-greets and exclusive MEGADETH guitar packages. More information is available at Megadeth.com. The dates are as follows: Nov. 23 - St. Paul, MN - Myth Live Nov. 24 - Madison, WI - Orpheum Theatre Nov. 26 - Grand Rapids, MI - Orbit Room Nov. 27 - Detroit, MI - The Fillmore Nov. 29 - Montclair, NJ - The Wellmont Theatre Nov. 30 - Bethlehem, PA - Sands Bethlehem Event Center Dec. 01 - Boston, MA - House of Blues Boston Dec. 03 - Huntington, NY - The Paramount Dec. 04 - Silver Spring, MD - The Fillmore Silver Spring Dec. 05 - Charlotte, NC - The Fillmore Charlotte Dec. 07 - N. Myrtle Beach, SC - House of Blues Myrtle Beach Dec. 08 - Saint Petersburg, FL - Jannus Live Dec. 09 - Lake Buena Vista, FL - House of Blues Orlando Dec. 12 - Houston, TX - Bayou Music Center Dec. 14 - Socorro, TX - Socorro Entertainment Center MEGADETH's latest album, "Super Collider", has sold 67,000 copies in the United States since its June 4 release. The CD arrived in stores via MEGADETH mainman Dave Mustaine's new label, Tradecraft, distributed by Universal Music Enterprises (UMe). It marks MEGADETH's first release since the band's split with Roadrunner Records. In a recent interview with Metal Insider, MEGADETH bassist David Ellefson stated about the band's decision to release the new album via the group's own label, "The whole imprint idea is that we pretty much just put our logo on our own record [laughs], but we use the muscle of Universal Music Group around the world to push it out and to use all of their marketing and distribution, which is what you want.

BUTLER: If WARD Played Like He Used To, We’d Have Welcomed Him With Open Arms

Brian McCollum of the Detroit Free Press recently conducted an interview with legendary BLACK SABBATH bassist Geezer Butler. A few excerpts from the chat follow below. On the band's new album,"13", topping sales charts across the globe: Butler: "It's just amazed us. We thought there'd be some interest in it. But never in our wildest dreams would we have expected it to go to No. 1. Around the world, all over the place, it's doing well." On the original BLACK SABBATHlineup being considered the band's most definitive incarnation: Butler: "When you mention it to the average person, they'll knowBLACK SABBATH withOzzy[Osbourne, vocals] in the band. That was our breakthrough (period) in the '70s. People so often associate Ozzy with SABBATH, and SABBATH with Ozzy. It's the same thing with a band like VAN HALEN— people like David Lee Roth and Sammy Hagar, but the classic lineup would beDave." On producerRick Rubin's contribution to the new album's success: Butler: "When we tried to do albums in the past, we all had different ideas of what it should be like, and it never ended up being successful. This is what we needed — we needed a producer.Rick Rubinhad always made it known he wanted to be the first-choice producer if we all got back together. "He wanted to go back to the old, basic sort of SABBATH sound — not a lot of overdubs, just a couple of guitar solos. You capture the feeling. With a lot of bands these days — and we have in the past — you'll go put the drums down, the next day you put on the bass, then guitar. It doesn't have the same feeling as being in the room together withOzzysinging. That's how we did the first three albums." On BLACK SABBATH 's current touring drummer Tommy Clufetos, who has previously played withOsbourne,Ted Nugent,Alice CooperandRob Zombie: Butler: "Tommy's a real nice bloke to get on with as well. He's a phenomenal drummer — he picks things up so quickly. It's incredible the way he works. He's really dedicated to the stuff he does." On originalSABBATHdrummerBill Ward's absence from the"13"recording sessions and current tour:

TONY IOMMI: ‘It’s Really Great’ To Be Able To Perform New Songs Live

Corbin Reiff of the Seattle Weekly recently conducted an interview with legendaryBLACK SABBATH guitarist Tony Iommi. A couple of excerpts from the chat follow below. Seattle Weekly: [BLACK SABBATHsinger] Ozzy [Osbourne] has said that a lot of the songs on the ["13"] album were arranged in a manner that would be conducive to playing live. Do you agree with him in that regard? Iommi: Yes, absolutely. When we spoke with [producer] Rick Rubin, we talked aboutOzzysinging more in his range and trying to sing more in a lower register like on the early albums. Like on "Black Sabbath",Ozzysang more in his range in a lower tone and that's what we wanted to get back to with this album so that we could do them live onstage. Seattle Weekly: In your opinion, how are the new songs stacking up against some of your older classic material and how does it feel to bring something new into the set? Iommi: They are fitting in really well with the old materia

TONY IOMMI On His Cancer Battle: ‘My Attitude Has Changed Toward Everything’

Jim Harrington of the San Jose Mercury News recently conducted an interview with the legendary BLACK SABBATH guitarist Tony Iommi. A few excerpts from the chat follow below. On BLACK SABBATH's comeback album, "13", reaching No. 1 album on the U.S. chart earlier this year: Iommi: "We are very pleased. It's just quite a shock to have our first No. 1 record (in the U.S.) after being around for 45 years." On why BLACK SABBATH's 2001 attempt at a new studio album was unsuccessful: Iommi: "It just wasn't right. Nobody was on the right page. So, we abandoned the whole idea. But I always thought — or, at least, really hoped — we would do another album." On the Ronnie James Dio-fronted version of BLACK SABBATH recording and touring under the name HEAVEN & HELL:

SEBASTIAN BACH Back In The Studio Working On New Album

Former SKID ROW frontman Sebastian Bach is currently in the studio working on his next album with producer Bob Marlette (BLACK SABBATH,ALICE COOPER), who helmed the singer's last solo CD, 2011's "Kicking & Screaming". Comments Bach: "Today we are back in the studio crafting riffs and working on melody lines. Bob Marlette is working his magic and helping me out with the upcoming opus of epic-ness. Expect high-energy music.... perfect for driving quickly, or jack-hammering concrete. Working on lyrics... but don't want to beat you over the head with sobriety, or ex-wives, or ex-bandmembers, or any of the other constant bullshit that I seem to be personally dealing with. So I am choosing my words carefully... because this music is straight-up, balls-to-the-wall, kick-you-in-the-nuts rock 'n' roll. And I need the words to reflect that." Bach's next solo CD, which is tentatively due in early 2014 via Frontiers Records, is expected to feature contributions from Steve Stevens(BILLY IDOL) and Los Angeles-based guitarist Jeff George, who previously played with ASKING ALEXANDRIA's lead vocalist Danny Worsnop. Making a guest appearance on the album will also be bassistDuff McKagan (DUFF MCKAGAN'S LOADED, VELVET REVOLVER, GUNS N' ROSES). Bach's brand new CD/DVD package, "ABachalypse Now", was released in North America on March 26 via Frontiers Records. The "ABachalypse Now" Ultimate CD/DVD Edition includes never-before-seen footage from last year's Graspop Metal Meeting festival in Dessel, Belgium, the full never-before-seen Hellfest set from France and the fully-remixed and remastered Nokia show from Los Angeles (originally broadcast on AXS TV), as well as bonus music videos. The DVD contains a running time of nearly 160 minutes.

OZZY OSBOURNE On BILL WARD: ‘It Would Be Great To Have Him Back’

BLACK SABBATH singer Ozzy Osbourne held a press teleconference on July 10 with around two dozen writers to discuss the band's recently released comeback album, "13", and the upcoming North American tour. A few excerpts from the chat follow below. On performing new songs alongside BLACK SABBATH classics on the current tour: Ozzy: "We recently went to New Zealand, Australia, and Japan, and we did a couple of the new songs. We said they're all new. God, you'd think it had been released as a single or a first track off album, and so that… I remember when we played two shows in Auckland, New Zealand. The first night they didn't really respond much to it. The second night they're all singing the lyrics with me. I'm going, I can't even remember them that good. I mean, it's good for us as well to do new stuff, because you know, we're all tuned into 'Iron Man', 'War Pigs', 'Paranoid', and all of the old classics, but instead, it gives us as a band something refreshing to put into the show, and so I'm just glad that people have bought into the new songs." On whether BLACK SABBATH made a conscious effort during the writing process for "13" to come up with vocal lines that Ozzy could reproduce live: Ozzy: "Well, after keeping the people waiting for as long as we did, I certainly — I can still get the range, but I can't do it