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AVENGED SEVENFOLD’s ‘Hail To The King’ Certified Gold In U.S.

Manos Spanos
AVENGED SEVENFOLD's latest album, "Hail To The King", was certified gold on July 16 by the RIAA (Recording Industry Association Of America) for shipments in excess of 500,000 copies. Released last year, it was the band's second straight CD to debut at No. 1 on the Billboard chart, following 2010's "Nightmare". The latest effort was recorded after the AVENGED SEVENFOLD bandmembers immersed themselves in the music of two classic LPs: METALLICA's Black Album and GUNS N' ROSES' "Appetite For Destruction". "The BLACK SABBATH, AC/DC, ZEPPELIN Influence comes through," AVENGED SEVENFOLD lead guitarist Synyster Gates told TimesLeader.com about "Hail To The King". "We wanted to create space rather than just fill up every song with four bridges and three choruses and vocal harmonies everywhere, with guitar duels going on. The goal was to focus on the songwriting and the arrangements." "Hail To The King" marked AVENGED SEVENFOLD's full-length debut with new drummer Arin llejay, whom Gates described to TimesLeader.com as "one of the most tasteful drummers I've heard in my life… He's got that caveman, barbaric huge groove philosophy that we were trying to go for on this record. He's really got it in his heart and soul. We took the approach of wanting a hungry young kid who could suddenly come out of nowhere and play in front of 50,000 people. He really stepped up." AVENGED SEVENFOLD guitarist Zacky Vengeance told Billboard.com that the band will take "a real quick trip to Japan" after Rockstar Energy Mayhem Festival ends on August 10 and then plans to come off the road in order to start working on a follow-up to "Hail To The King". "I think once we get home, the ideas are going to start brewing," Vengeance says. "I know Syn's been writing a ton purely for fun, trying different styles, recording backstage, keeping himself busy. I've been thinking of all sorts of ideas, listening to tons of different music to get inspiration — as have all of us. And being on tour, I'm so inspired. Seeing bands like BODY COUNT with Ice-T out there, they're so old-school and riff-based and over the top and slightly offensive and it's fuckin' awesome. So there's tons of inspiration that I know we'll be drawing from." AVENGED SEVENFOLD and KORN are co-headlining this year's Rockstar Energy Drink Mayhem Festival, which kicked off its annual run on July 5 in Devore, California. Other acts on the bill include ASKING ALEXANDRIA, SUICIDE SILENCE, TRIVIUM, MISS MAY I and more. AVENGED SEVENFOLD will reissue its breakthrough second album, "Waking The Fallen", in a new special edition on August 26. "Waking The Fallen: Resurrected" will include a total of 23 tracks, including 11 never-before-heard songs, new artwork, the original first cut of the music video for "Unholy Confessions" and a 30-minute film featuring the present-day band.
03 min read

Former SLAYER Drummer DAVE LOMBARDO Joins AMEN

Manos Spanos
AMEN, the band led by firebrand frontman Casey Chaos, is working on a brand new album for release later this year and is set for its long-awaited return to the U.K. this August. In addition, the band is excited to announce the enlistment of former SLAYER and current PHILM drummer Dave Lombardo to AMEN's ranks. The refreshed lineup — completed by John Fahnestock on bass, Duke Decter and John King on guitars — is already neck deep in work on a new album with longtime producer Ross Robinson (KORN, LIMP BIZKIT, SEPULTURA). Says Lombardo: "I am very proud to have been asked to be part of this amazing production with Casey Chaos and Ross Robinson. "My career in thrash was created from my love of the punk genre. There is an excitement in this particular style of music that's vital for me. It's aggressive, honest and needed. "I'm looking forward to performing with AMEN before returning to Europe with PHILM in September." Adds Casey Chaos: "It's great to be working again with Dave, this time in AMEN. He brought so much power, aggression and passion to the music on the new record, in a way only he could only deliver. Without question this is THE most important album I’ve ever made. I'm looking forward to unleashing it live and destroying ourselves for your pleasure!"
01 min read

MAX CAVALERA’s Original Home-Demo Version Of SEPULTURA’s ‘Roots Bloody Roots’ Posted Online

Manos Spanos
Max Cavalera's original home-made demo version of the SEPULTURA classic "Roots Bloody Roots" can be streamed using the SoundCloud widget below. The song eventually became the opening track of the band's sixth studio album, 1996's "Roots", which was SEPULTURA's last studio CD to feature Max on vocals and guitar. Asked in a December 2013 interview with DeadRhetoric.com if he was a proponent of the down-tuned guitar approach, like Max was, around the time when bands like KORN and the DEFTONES were just beginning to take off in terms of popularity, SEPULTURA guitarist Andreas Kisser said: "At the beginning, not much. I was skeptical of the low tuning because bands like KORN or the DEFTONES, they don't have the fast pace of SEPULTURA's music. I was concerned to lose that kind of fast ability and the picking, the heavy picking on sloppy, low strings. But there are so many possibilities of using heavier-gauge strings, which give that kind of tension, and you don't lose that ability to play fast. 'Trauma Of War', the song that opens the [new SEPULTURA] album ['The Mediator Between Head And Hands Must Be The Heart'], it's in low tuning, but it's a very fast song, but we don't lose that kind of ability. I learned how to do deal with that, and you open a lot of worlds in music, but yeah, at the beginning I was a little skeptical." Speaking to Live-Metal.net in 2009, Max admitted that he drew inspiration from some of the so-called early "nu metal" bands during the songwriting process for "Roots". He explained: "SEPULTURA did [take] a little bit of an influence from KORN and DEFTONES in some areas. And the funny thing is that we influenced those bands from when they started out. I talked to the KORN guys and they said they listened to 'Chaos A.D.' religiously when they started — it was like one of their favorite records. So it's kind of a 360 degrees kind of influence — back and forth." "Roots" was certified gold in 2005 by the RIAA (Recording Industry Association of America) for U.S. shipments in excess of 500,000 copies.
02 min read

SEPULTURA: Enschede Concert Footage

Manos Spanos
Fan-filmed video footage of SEPULTURA's March 7 performance at Atak in Enschede, The Netherlands can be seen below. SEPULTURA's new album, "The Mediator Between Head And Hands Must Be The Heart", sold around 1,800 copies in the United States in its first week of release. The CD came out on October 29, 2013 via Nuclear Blast Records. Although it was inspired by Fritz Lang's classic 1927 movie "Metropolis", "The Mediator Between Head And Hands Must Be The Heart" is not a concept album or a soundtrack like its precedessors "Dante XXI" (based on "The Divine Comedy") and "A-Lex" (based on "A Clockwork Orange"). "The Mediator Between The Head And Hands Must Be The Heart" was tracked over a 40-day period at producer Ross Robinson's (KORN, LIMP BIZKIT, SLIPKNOT) studio in Venice, California and was mixed and mastered by co-producer Steve Evetts, who previously worked with SEPULTURA on the "Nation" (2001), "Revolusongs" (2002) and "Roorback" (2003) albums, in addition to having collaborated with Ross on a number of other projects in the past. In a 2013 interview with Live-Metal.net, SEPULTURA singer Derrick Green stated about the new album title: "We always have the simple one-word titles or very basic. And with this we knew what we wanted to do. We wanted to maybe make people think a little bit. "I think we have become lobotomized, including myself, because I'm not putting myself outside of anything. I think a lot of times we live in a time where people are thinking actions or creating ideas — doing something in their head but going right to their hands. And they're missing the essential part, the heart and the compassion, that's behind what you are doing. And (the title) came from a movie called 'Metropolis' (1927) by a director called Fritz Lang, and it's a silent movie. And it's actually the first thing you see in the movie. And the meaning behind it is just that: It's impossible to be human without having the heart dictate what you're doing and why you're doing certain things. "So I believe this album has that passion and drive and love for music. "So man
03 min read

DAVE MUSTAINE: When I Left METALLICA, I Totally Re-Evaluated My Guitar Playing

Manos Spanos
The first episode of "Metalhead To Head", a web-only show where metal masters sit down together for surprisingly candid conversation and plenty of one-time-only music demonstrations and collaborations, can be seen at Fuse.tv. The episode features Dave Mustaine and Ricky Warwick (BLACK STAR RIDERS, THIN LIZZY). New episodes will debut every other Wednesday. Always at 1 p.m. ET. And always on Fuse.tv. Asked by Warwick about his lead-guitar technique, Mustaine said: "When I was in METALLICA, when I would write solos back then, I wrote them out. And then when I left, I totally re-evaluated my guitar playing and went from playing guitar because I loved it to playing guitar because I was pissed." He continued: "Playing, for me, doing solos and stuff like that, there's a lot of technique stuff that people do, they do sweeping and stuff like that and they do a lot of stuff that's real pretty-looking, but you know what?! After a while, someone sweeping through a whole solo, it's, like, enough already. I believe that David Gilmour can do more with one note than half of these kids that are out there now that can just do these mind-blowing solos." Artist pairings for future "Metalhead To Head" episodes include: * Mike Portnoy (DREAM THEATER, THE WINERY DOGS) & Arejay Hale (HALESTORM) * Dave Ellefson (MEGADETH) & Doug Pinnick (KING'S X) * Gus G. (FIREWIND, OZZY OSBOURNE) & Mark Heylmun (SUICIDE SILENCE) * Rudy Sarzo (QUIET RIOT, OZZY OSBOURNE) & Frank Bello (ANTHRAX) * Charlie Benante (ANTHRAX) & Ray Luzier (KORN) * Billy Sheehan (THE WINERY DOGS) & Marco Mendoza (BLACK STAR RIDERS, THIN LIZZY) * Eric Choi (WE CAME AS ROMANS) & Alex Lopez (SUICIDE SILENCE) * Michael Sweet (STRYPER) & Alex Skolnick (TESTAMENT) * George Lynch (DOKKEN, LYNCH MOB) & Chris Broderick (MEGADETH) * Marty Friedman (MEGADETH) & Ben Weinman (THE DILLINGER ESCAPE PLAN)
02 min read

ANDREAS KISSER Says CHUCK BILLY’s SEPULTURA Audition Tape Was ‘Interesting’

Manos Spanos
David E. Gehlke of DeadRhetoric.com recently conducted an interview with SEPULTURA guitarist Andreas Kisser. A few excerpts from the chat follow below. DeadRhetoric.com: Since you're working with Ross [Robinson] again, it makes one think of the first time you recorded with him, which is when down-tuning became really big with bands like KORN and the DEFTONES doing it. Max [Cavalera] was always a big proponent of it; were you as well? Kisser: At the beginning, not much. I was skeptical of the low tuning because bands like KORN or the DEFTONES, they don't have the fast pace of SEPULTURA's music. I was concerned to lose that kind of fast ability and the picking, the heavy picking on sloppy, low strings. But there are so many possibilities of using heavier-gauge strings, which give that kind of tension, and you don't lose that ability to play fast. "Trauma Of War", the song that opens the [new SEPULTURA] album, it's in low tuning, but it's a very fast song, but we don't lose that kind of ability. I learned how to do deal with that, and you open a lot of worlds in music, but yeah, at the beginning I was a little skeptical. DeadRhetoric.com: Your very first meeting with Derrick, what do you remember the most about it? Kisser: It was great. He came down from the States to Brazil because we were holding auditions with different people in Brazil. Derrick came down after the demo and he did "Choke". I have "Choke" with so many different singers [including Marc Grewe of MORGOTH; Phil Demmel of MACHINE HEAD and VIO-LENCE; Jason "Gong" Jones of DROWNING POOL; and Jorge Rosado of MERAUDER) some day I'll release it with all the different versions. Even Chuck Billy from TESTAMENT, he did a tryout. It was interesting the way he sang "Choke" and stuff. It would be cool to put it out some day. Derrick was for the future, though. We weren't looking for somebody similar to Max, or trying to replace him with a clone. Different visuals different attitude we liked Derrick we felt he could really grow up and be into simple terms is it, which he did. His vocals are great, he's very diverse, he can do melodic stuff and aggressive shit, and he hardly loses his voice. He's very professional and he takes care of his voice on tour and everything. He's great. He's a guy who is also very intelligent. We talk a lot about different movies, documentaries, books, and we do lyrics together. We come up with song titles, concepts, and everything. He's a great partner in that respect. DeadRhetoric.com: Personality-wise with Derrick, did you guys connect fairly quickly? Kisser: I think it was different for him. He came to Brazil, replacing Max Cavalera, which was very hard in the beginning — being black as well in such a racist society everywhere in the world, not only in America. It's great that he was able to face all this with great courage and great professionalism. SEPULTURA as well, with somebody like him in the band, and we said what we always said, that we're for justice and equality, and respect. We live that; we not only say that for the lyrical purposes. We really are what we are. He was the best choice for us. He's a guy who could understand the SEPULTURA way of living, of hard touring everywhere and we can survive in a bus together without wanting to kill each other and stuff. [laughs] We have the same type of ideas and conversations. I think Derrick was the perfect guy for us, and it shows. DeadRhetoric.com: The big vocalist search in 1997 and '98, was your head spinning from all the submissions? Kisser: Oh yeah, definitely. Right after Max left at the end of '96, back in January and February of '97, me, Igor [Cavalera, drums], and Paulo [Xisto Pinto Jr., bass] got together and started writing new stuff. We didn't want to play any old stuff. We didn't want try people out on something like "Refuse/Resist". That would be too easy, so we wanted to see the new guy singing something he never heard before; we wanted to see his input and his ideas and his possibilities with the vocals. We took eight to nine months just as a trio. We had the idea of staying as a trio, me being the singer and I even took vocal classes and tried to do demos, but I sing like crap. [laughs] I was the first singer of SEPULTURA that received a "no." [laughs] DeadRhetoric.com: I've seen and heard you do backup vocals — you don't have a bad voice. Kisser: I can use my voice fairly well, I can scream, but to be a singer and to embrace it, it's much more than having a good voice. You have to embrace something different. I am a guitar player. I didn't want to lose my guitar playing time just to embrace something that I am not. I don't want to force the situation. The trio time was great — we didn't do any live shows or anything, but we were practicing and trying out stuff, putting our heads in place, without making any big decisions with the turmoil that was going on. We resolved everything with Max, we signed all the papers, he's out, he didn't want anything to do with SEPULTURA. He left, and we started looking for a new singer. Then when Derrick came at the beginning of '98, he moved out to Brazil, and we started our journey. You can read the entire interview at DeadRhetoric.com.
06 min read

SEPULTURA: North American Tour Canceled Due To Visa Issues

Manos Spanos
Due to a delay in the visa process, Brazilian/American metallers SEPULTURA have had to cancel their previously announced North American tour with UNEARTH, KATAKLYSM, DARK SERMON and ANCIIENTS. Attempts to make new arrangements for this time frame were not fruitful and the camp has determined to reschedule the tour for May 2014. All tickets will be refunded. SEPULTURA's new album, "The Mediator Between Head And Hands Must Be The Heart", was released on October 25 via Nuclear Blast Records. Although it was inspired by Fritz Lang's classic 1927 movie "Metropolis", "The Mediator Between Head And Hands Must Be The Heart" is not a concept album or a soundtrack like its precedessors "Dante XXI" (based on "The Divine Comedy") and "A-Lex" (based on "A Clockwork Orange"). "The Mediator Between The Head And Hands Must Be The Heart" was tracked over a 40-day period at producer Ross Robinson's (KORN, LIMP BIZKIT, SLIPKNOT) studio in Venice, California and was mixed and mastered by co-producer Steve Evetts, who previously worked with SEPULTURA on the "Nation" (2001), "Revolusongs" (2002) and "Roorback" (2003) albums, in addition to having collaborated with Ross on a number of other projects in the past.
01 min read

SEPULTURA: Entire ‘Mediator Between Head And Hands’ Album Available For Streaming

Manos Spanos
"The Mediator Between Head And Hands Must Be The Heart", the new album from Brazilian/American metallers SEPULTURA, is available for streaming in its entirety using the SoundCloud widget below. The CD will be released on October 25 via Nuclear Blast Records. SEPULTURA guitarist Andreas Kisser recently gave the Brazilian newspaper Diario de Pernambuco a track-by-track breakdown of "The Mediator Between Head And Hands Must Be The Heart". Check it out below. "Intro" Andreas: "Actually, the intro is the demo we did just before we went to the studio, with all the songs played at the same time! It's like you are listening to all the songs that you will hear separately on the album at once. It sounds so great, noisy and powerful and it was a result of an accident that I had on my computer. Each song had its track so when I accidentally played the tracks together they came strong and beautiful so I decided to show the guys and they all liked it!" "Trauma Of War" Andreas: "This will be the first song on the album and is one of the fastest and most brutal songs we ever did. The performance of our drummer, Eloy [Casagrande], is fantastic, it gave such an energy to the song that the guitars, bass and vocals had to top that level of brutality, for sure our strongest opener so far. I wrote the lyrics inspired by friends that went to war and came back with some kind of trauma, some kind of disturbance that they have to live with for the rest of their lives." "The Vatican" Andreas: "An ironic tribute to the conclave that elected Argentinian Pope Francis I as the successor of Benedict XVI. This track has some death metal influences. The lyric tells the story of how the Vatican was created, filled with blood, orgy, murders, corruption, adultery. It's one of the most evil and perverse lyrics I ever wrote." "Impending Doom" Andreas: "Song with a very slowed tempo, with heavy picks and a low-tuned rhythm. Its nickname was 'Puxada', because of the guitar's riff characteristic. This track is very heavy. The lyrics are Derrick's [Green, vocals]. And it talks about cursed inheritances that are left from generation to generation. What world we are going to leave for ours heirs?" "Manipulation Of Tragedy" Andreas: "Another of Derrick's lyric. Talks about collective manipulation through a culture of fear, creating tragic and drastic situations in order to justify certain decisions made by the governors, legitimizing some limitations to the society. The manufactured consent. The song was born from Eloy's double-bass drumming rhythm. It sounds very SEPULTURA, with influence from several periods of the band." "Tsunami" Andreas: "Derrick wrote the lyrics for it, part inspired by the natural phenomena and part by the 'tsunami' of information we receive nowadays through the worldwide web and the media in general. A tsunami is the most powerful force of nature, stronger than any earthquake, tornado or a storm. It simply destroys everything in its path. The result is total destruction but also total cleanup, a new beginning." "The Bliss Of Ignorants" Andreas: "Derrick's lyric. It's about the illusion created in society that we are free to do whatever we want, but, in fact, it is not like that. Freedom is limited and part of the society lives under ignorance, euphoric, without awareness of everything that surrounds us. The song opens with percussive drum, low tuning and groovy sound. Its nickname was 'Brasuca'. It's kind of a mix of 'Roots' and 'Chaos A.D.' rhythm. Ross [Robinson, producer] influenced us to explore more this Brazilian side. With participation of percussionist Fred Ortiz (BEASTIE BOYS' former drummer who plays with Derrick in MAXIMUM HEDRUM)." "Grief" Andreas: "It is a song that starts with clean guitars in a way that we never attempted before, I think it was our biggest challenge on this album and it came out amazing. I wrote the song inspired by a tragic incident that happened in Brazil in January 2013. More than 200 kids died in a fire inside a night club. The place didn't have the proper emergency exits and most of the people died asphyxiated, it was horrible. The small town at the south of the country, where most of the people were from, was in total grief. I wrote this song to honor the victims and their families." "The Age Of The Atheist"
07 min read

SEPULTURA: Audio Samples Of ‘Mediator’ Album

Manos Spanos
Audio samples of six songs — "The Bliss of Ignorants", "Trauma Of War", "The Vatican", "Grief", "Manipulation Of Tragedy" and "Obsessed" — from "The Mediator Between Head And Hands Must Be The Heart", the new album from Brazilian/American metallers SEPULTURA, can be streamed in the YouTube clip below. The CD will be released on October 25 via Nuclear Blast Records. The artwork was created by Brazilian artist Alexandre Wagner, who specializes in charcoal drawing techniques. Guitarist Andreas Kisser commented on how he discovered the work of Alexandre Wagner. "It was through Silvio Bibika, who was my roadie for a long time," he said. "He always shows me things in general that SEPULTURA might need. Alexandre, who is from Belo Horizonte, Silvio showed me a year ago. So before we went to the United States, to record the album, I was at his house to talk about the cover, tell him the album title, talk about the concept of the film 'Metropolis', so he could do something original. But when I saw the picture with the drawing, I thought it was all about what we wanted and we did not need something new. I asked him to do a tribal S in the style of the cover. The S made by Alexandre will be on the back cover." Said Alexandre: "I did this series of charcoal drawing work when I still lived in Belo Horizonte. They were all made there. They were quick drawings without much reference, almost an experimentation that may have came from a desire to use the most basic of basic materials — coal, paper and wood. The cover design was already done, Andreas saw it and liked it. We talked a little more and I also sent some other pictures for the booklet. I was pleased with the choice of the theme of the album, I like Fritz Lang very much, and not only 'Metropolis'. 'Dr. Mabuse der Spieler' is a fucking great movie." As a Mineiro, from Belo Horizonte like SEPULTURA, Alexandre was glad to be part of the band’s history. "It's impossible to be from Belo Horizonte and not know the band," he said. "Some of their albums followed me for a long time, especially 'Chaos A.D.' I remember seeing 'Refuse/Resist' on TV and thinking it was wonderful. It’s really cool to work with the guys, being part of something together. It is somehow a shared history." "The Mediator Between Head And Hands Must Be The Heart" track listing: 01. Trauma Of War 02. The Vatican 03. Impending Doom 04. Manipulation Of Tragedy 05. Tsunami 06. The Bliss of Ignorants 07. Grief 08. The Age Of The Atheist 09. Obsessed 10. Da Lama ao Caos (CHICO SCIENCE & NAÇÃO ZUMBI cover) Although it was inspired by Fritz Lang's classic 1927 movie "Metropolis", the CD, "The Mediator Between Head And Hands Must Be The Heart" is not a concept album or a soundtrack like its precedessors "Dante XXI" (based on "The Divine Comedy") and "A-Lex" (based on "A Clockwork Orange"). "The Mediator Between The Head And Hands Must Be The Heart" was tracked over a 40-day period at producer Ross Robinson's (KORN, LIMP BIZKIT, SLIPKNOT) studio in Venice, California and is being mixed and mastered by co-producer Steve Evetts, who previously worked with SEPULTURA on
05 min read

SEPULTURA: Third ‘Mediator’ Album Trailer Available

Manos Spanos
The third trailer for "The Mediator Between Head And Hands Must Be The Heart", the new album from Brazilian/American metallers SEPULTURA, can be seen below. The CD will be released on October 25 via Nuclear Blast Records. The artwork was created by Brazilian artist Alexandre Wagner, who specializes in charcoal drawing techniques. Guitarist Andreas Kisser commented on how he discovered the work of Alexandre Wagner. "It was through Silvio Bibika, who was my roadie for a long time," he said. "He always shows me things in general that SEPULTURA might need. Alexandre, who is from Belo Horizonte,Silvio showed me a year ago. So before we went to the United States, to record the album, I was at his house to talk about the cover, tell him the album title, talk about the concept of the film 'Metropolis', so he could do something original. But when I saw the picture with the drawing, I thought it was all about what we wanted and we did not need something new. I asked him to do a tribal S in the style of the cover. The S made by Alexandre will be on the back cover." Said Alexandre: "I did this series of charcoal drawing work when I still lived in Belo Horizonte. They were all made there. They were quick drawings without much reference, almost an experimentation that may have came from a desire to use the most basic of basic materials — coal, paper and wood. The cover design was already done, Andreas saw it and liked it. We talked a little more and I also sent some other pictures for the booklet. I was pleased with the choice of the theme of the album, I like Fritz Lang very much, and not only 'Metropolis'. 'Dr. Mabuse der Spieler' is a fucking great movie." As a Mineiro, from Belo Horizonte like SEPULTURA, Alexandre was glad to be part of the band’s history. "It's impossible to be from Belo Horizonte and not know the band," he said. "Some of their albums followed me for a long time, especially 'Chaos A.D.' I remember seeing'Refuse/Resist' on TV and thinking it was wonderful. It’s really cool to work with the guys, being part of something together. It is somehow a shared history." "The Mediator Between Head And Hands Must Be The Heart" track listing: 01. Trauma Of War 02. The Vatican 03. Impending Doom 04. Manipulation Of Tragedy 05. Tsunami
06 min read