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BULLET FOR MY VALENTINE: New Song ‘Raising Hell’ To Be Premiered On BBC Radio 1’s ‘Rock Show’

A brand new song from Welsh metallers BULLET FOR MY VALENTINE entitled "Raising Hell" will be premiered on the November 18 edition of BBC Radio 1's "Rock Show" with Daniel P. Carter. "Words cannot express how excited I am for the world to hear #RaisingHell," says BULLET FOR MY VALENTINE frontman Matt Tuck via Twitter. "We haven’t just raised the bar, we've sent it into fucking orbit." An audio sample of "Raising Hell" can be streamed below. BULLET FOR MY VALENTINE drummer Michael "Moose" Thomas told Billboard.com in a recent interview that the band has "already started writing for the next album, which is completely different from [this year's] 'Temper Temper'." "It's definitely more of a step towards our first two records," Thomas said. "We always like to keep changing our records and our sounds and stuff. I think you have to change, otherwise it gets boring for us and the fans get bored. Look at all the great bands through rock history; they changed on all their albums — especially METALLICA. Their albums have always changed, and they're the biggest metal band ever. So we just want to keep changing and get to another level each time out." Tuck told the U.K.'s Rock Sound magazine, "We're actually going to start working on the new record before the (U.K.) arena dates (in early December). We've got (producer) Terry Date coming over from America, we'd like to work with him, he'd like to work with us so we're gonna have a bonding session, write a couple of songs and see how it goes." Date is known for working with heavier acts like PANTERA, WHITE ZOMBIE and DEFTONES, while BULLET's previous producer, Don Gilmore, is known for more commercial fare like LINKIN PARK. Tuck said about hiring Date, "When we worked with Don, he was very much focused on chopping parts out and making things concentrated, now we want to work with someone who has worked with bands like PANTERA and DEFTONES, where that mentality was probably not in the game at all. We want someone to go 'it's not big enough' or 'it's not metal enough' and keep us focused on our talents." Tuck told The Pulse Of Radio a while back that he had no regrets about the band exploring its more melodic side on its last two albums. "The big thing that we've learned is, like, you're not gonna please everyone all the time," he said. "As long as you do what you want to do and the band is happy and you feel you haven't given away your integrity, you know, I don't really care if people go, 'Oh, it's not metal enough, it's not heavy enough.' It's like, that's not what we are."

MACHINE HEAD: Previously Unreleased Demo Versions Of ‘Through The Ashes’ Songs Posted Online

MACHINE HEAD frontman Robb Flynn has uploaded demo versions of the band's songs"Imperium", "Days Turn Blue To Gray" and "Descend The Shades Of Night" to the group's official YouTube channel. The final tracks were included on MACHINE HEAD's "Through The Ashes Of Empires" album, which celebrated its tenth anniversary earlier this week. In the latest installment of his online blog, "The General Journals: Diary Of A Frontman... And Other Ramblings", Flynn offered up a lengthy explanation for how the demo recordings came to life. "In May of 2002, not long after we finished the 'Supercharging America' tour, our-then-guitarist Ahrue Luster quit the band," Flynn wrote. "It seems weird even talking about theAhrue era of the band as feels like a lifetime ago, probably because it WAS a lifetime ago! Literally thousands of bands have come and gone from that era he was with us ('98-'02). We get on fine now, so I don't have anything negative to say about him other than he was just really a bizarre choice to get in the band. However, to his credit, he did bring in a some cool songs ('Blood, Sweat And Tears', parts of 'The Burning Red', parts of 'Silver' and 'Blank Generation'), but yeah, when he quit no one in the band was surprised, and most Head Cases [MACHINE HEAD fans] just went, 'Meh.' "Once he was gone, we decided to continue as a three-piece and to write and record the next album that way. It was a good decision as we weren't interested in bringing in another person, and truthfully, we couldn't think of anyone off hand if we wanted to. We figured we'd cross that bridge when touring came up, and guess what? We had some pending European festival dates coming up in June. Someone (possibly [then-bassist] Adam [Duce] or our managerJoseph [Huston]) brought up getting my old VIO-LENCE guitarist, drinking buddy and partner in crime Phil Demmel to fill in for the dates. Phil was recently back on our radar as Adam had filled in playing bass for VIO-LENCE in the summer of 2001. But Phil playing with us? At first I wasn't into the idea. After I'd quit VIO-LENCE, there was a long period where Phil and I didn't talk, things didn't end on a good note, and I blamed him for a lot of it. On top of that, I had also taken a personal vow to never to mention VIO-LENCE in interviews, advertisements, album covers, ANYTHING related to MACHINE HEAD. I wanted MACHINE HEAD to stand or fall on its own merits and I wouldn't use my previous band in any way to help sell or sink it. "When VIO-LENCE broke up, [Demmel's] next band TORQUE opened for MACHINE HEAD a few times, and later his next band TECHNOCRACY would open some shows too, but we didn't really hang out anymore. It wasn't until almost eight years later than him and I had a real heart to heart (leaving an Oakland Raiders game) that we cleared the air, and after that, we hung out a lot. Usually at football games or shows. "Once I was on board, we decided to see what he'd say, so Adam reached out to him (viaAOL AIM... anyone remember that?) and Phil came back and said, 'Yes.' In fact, he told us that it would be perfect as he had decided he was retiring from the music business. He'd been doing it for 10 years since VIO-LENCE ended and he was frustrated. He had been married for a while, had a long-standing steady job and the band thing hadn't been working so what better way to end his music career than by jamming with one of his favorite bands? His choice was a good one, he'd be jamming with his old friends, touring the world for two weeks where he'd be playing over Rob Halford and Bruce Dickinson, headlining festivals to 20,000 people and then go and settle down. "It was perfect situation. We didn't want a band member and he didn't want to join a band and it was a simple agreement. Phil wheeled his stuff over from the VIO-LENCE rehearsal room (they'd recently reunited and had done a string of weekend shows, but were also getting ready to retire) and when we jammed together, it was just awesome! There was a chemistry. Something was different about the energy in the room. We all felt it. "And while I felt something, I didn't voice it, I didn't want to. "We went on tour and the first show was in Dublin, Ireland with EVILE and GAMA BOMBopening. The show was nutzo!!! About halfway through the show, I looked to my right and thought, 'Hey, I remember that guy!' There he was, stage right muggin' it up and smiling like a Cheshire cat every chance he got. The next show was a 'secret' TEN TON HAMMER show in London at The Garage (or as the Brits say 'the gair-ige') and hanging out on that small stage, jamming cover songs, annihilated on vodka, having onstage chug-a-lugs with hammered fans, and playing to a frankly insane group of Head Cases, there was something happening, something real, a connection. "And it wasn't OK to talk about it... "Because he was retiring... "And we didn't want someone in the band...

Project Featuring MAX CAVALERA, GREG PUCIATO, TROY SANDERS Gets Name

The project featuring Max Cavalera (SOULFLY, ex-SEPULTURA), THE DILLINGER ESCAPE PLAN frontman Greg Puciato, Dave Elitch (ex-THE MARS VOLTA) and Troy Sanders (MASTODON) has finally decided on a name: KILLER BE KILLED. The group recently inked a deal with Nuclear Blast for the release of its debut album, tentatively due in mid-2014. The CD is being recorded at Fortress Studio in Los Angeles, California with producer Josh Wilbur (LAMB OF GOD, GOJIRA). Talking to U.K.'s Terrorizer magazine, Max said about the new project: "Greg approached me kinda like how Alex [Newport; FUDGE TUNNEL] approached me to do NAILBOMB in that he was really, really trying to get me to do this project. I told him already I was pretty busy doing SOULFLY and CAVALERA CONSPIRACY [and] I was not really looking for an extra thing, but he was pretty insistent and then I just gave up and was, like, 'Let's fucking do this!' "It started with just me and Greg and then we got Dave Elitch — he's an amazing drummer — and then Greg knew Troy and we asked him to be the bassist so it kind of became a supergroup all of a sudden. We jammed a couple of times and the last jam we did it sounded killer; the songs are really powerful real heavy. It's hard to describe but I think the coolest thing about this project is that all three of us are going to sing on every song." Earlier this year, Puciato told Noisecreep about how the project started: "We were at a DEFTONES show in L.A. at the Palladium and we were talking backstage about old thrash metal, punk and hardcore and we found ourselves referencing many of the same things and we were like, 'Fuck, man, we should make a record together and do it as a one-off like NAILBOMB.' A month later, I talked to Max again and he said we should actually do that. "No one in metal makes collaborative records like people in jazz and hip-hop do. It doesn't have to be like a band that you're launching from the ground that you go on tour with. There is something to be said for collaboration and throwing yourself out there and learning something new from working with different people. Dave was a buddy of mine already and he's a phenomenal drummer. He was the first person I thought of to play drums. "We [DILLINGER ESCAPE PLAN] spent a lot of time touring with MASTODON and Troy seemed like a really obvious fit. We had a really easy time writing. We can't release it right behind the DILLINGER record and we also have to figure out when the MASTODON record is coming out and the same for whatever Max is doing next. It's going to come out. It's just going to be a matter of logistics as to when."

METALLICA’s JAMES HETFIELD: ‘We Want To Make A Record’

METALLICA frontman James Hetfield recently spoke to The Detroit News about the progress of the songwriting sessions for the follow-up to the band's 2008 album "Death Magnetic". "We have been pushing that further and further away," Hetfield said. "We want to make a record, that's what we do best and that’s what we've gotta do in springtime. We've got skeleton bones that we're starting to lay out to make something out of it, but there's a lot of work ahead of us that we're really excited about doing. And that will be next year." Hetfield was also asked if the group planned to stage a third installment of its Orion Music + More festival in Detroit next year, after bringing the show's second edition there last June. The guitarist/vocalist replied: "I sure hope so, that is the plan. The festival itself is not 100 percent greenlit yet. There’s gotta be a powwow where all of us get together and make sure we’re on the same page." This year's Orion two-day event drew at least 20,000 people a day to see METALLICA, RED HOT CHILI PEPPERS, DEFTONES, SILVERSUN PICKUPS, RISE AGAINST and more. METALLICA surprised fans at Orion Music + More on June 8 by playing its 1983 debut disc "Kill 'Em All" from beginning to end on a smaller stage at the event. METALLICA was officially announced to play a headlining set on June 9 to close out the festival, but hit the stage at 4:30 p.m. one day earlier for a 10-song set that started with "Hit The Lights" and finished out with "Metal Militia".

SOULFLY: Entire ‘Savages’ Album Available For Streaming

SOULFLY's ninth album, "Savages", is available for streaming in its entirety using the SoundCloud widget below. "Savages" is scheduled for release on October 1 via SOULFLY's new label home, Nuclear Blast Entertainment. The CD was produced by Terry Date, who is known for his work with such acts as PANTERA, DEFTONES and SOUNDGARDEN, among many others. Guest vocal appearances on "Savages" include SOULFLY bass player Tony Campos, CLUTCH's Neil Fallon, NAPALM DEATH's Mitch Harris, Jamie Hanks of I DECLARE WAR and SOULFLY mainman Max Cavalera's son Igor Cavalera (of LODY KONG). "Savages" will be released as a limited-edition digpack CD, 2LP vinyl and digital download. "Savages" track listing: 01. Bloodshed (feat. Igor Cavalera) 02. Cannibal Holocaust 03. Fallen (feat. Jamie Hanks) 04. Ayatollah Of Rock ‘N’ Rolla (feat. Neil Fallon) 05. Master Of Savagery 06. Spiral 07. This Is Violence 08. K.C.S. (feat. Mitch Harris) 09. El Comegente (feat. Tony Campos) 10. Soulfliktion Limited-edition CD and 2LP vinyl bonus tracks: 11. Fuck Reality 12. Soulfly IX

MAX CAVALERA’s ‘My Bloody Roots’ Autobiography To Be Made Available In Poland

According to Interia.pl, the Polish-language edition of "My Bloody Roots", the autobiography of Max Cavalera (SOULFLY, CAVALERA CONSPIRACY, SEPULTURA, NAILBOMB), will be made available on October 2 through the Kagra publishing house. Already available in Max's native Brazil, "My Bloody Roots", written by Cavalera with assistance from renowned British author Joel McIver, was translated by Bartosz Donarski (who also translated "Slash", "Pearl Jam Twenty", "Lords Of Chaos", "Swedish Death Metal" and "Choosing Death: The Improbable History Of Death Metal & Grindcore", among others), a contributor to well-known Polish magazine Mystic Art, former perennial DJ of the longest-running metal radio show in Poland "Thrashing Madness", and editor of the major Polish Internet portal Interia.pl. "My Bloody Roots"' foreword was written by Dave Grohl (FOO FIGHTERS, ex-NIRVANA), who was' "really thrilled" to do it, Max said in an interview. "Dave's always been a great guy," Cavalera added. "He used to come to see SEPULTURA play in Seattle every time we played; even after NIRVANA got big, he would still come and see us play in little clubs." Among other musicians who were interviewed for Max's autobiography were Ozzy Osbourne, Chino Moreno of the DEFTONES, Tom Araya of SLAYER and Mike Patton of FAITH NO MORE.

Palms
Palms

A much anticipated collaboration is in front of us to witness and it ain't just gonna be a hot album for this year because it's released on summer, but also because it's the outcome of the marriage of three ex-Isis members and the vocalist of Deftones in a very atmospheric and personally emotional album that in the end grabs you from the heart and takes you with it in all possible destinations.

SOULFLY: ‘Bloodshed’ Lyric Video Released

The official lyric video for the new SOULFLY song "Bloodshed" can be seen below. The track features a guest appearance by SOULFLY mainmanMax Cavalera's son Igor Cavalera (of LODY KONG). Comments Max: "The song is about the absurdity of the human condition in territories plagued by bloodshed all over the world. Not just recent events like Iraq, but also historical conflicts such as the U.S. Civil War, World Wars I and II, etc." "Bloodshed" comes off SOULFLY's ninth album, "Savages", which will be released on October 4 via the band's new label home, Nuclear Blast Entertainment. The CD was produced by Terry Date, who is known for his work with such acts as PANTERA, DEFTONES and SOUNDGARDEN, among many others. Additional guest vocal appearances on "Savages"include SOULFLY bass player Tony Campos, CLUTCH's Neil Fallon,NAPALM DEATH's Mitch Harris and Jamie Hanks of I DECLARE WAR. "Savages" will be released as a limited-edition digpack CD, 2LP vinyl and digital download. "Savages" track listing: 01. Bloodshed (feat. Igor Cavalera) 02. Cannibal Holocaust 03. Fallen (feat. Jamie Hanks) 04. Ayatollah Of Rock ‘N’ Rolla (feat. Neil Fallon) 05. Master Of Savagery 06. Spiral 07. This Is Violence 08. K.C.S. (feat. Mitch Harris) 09. El Comegente (feat. Tony Campos) 10. Soulfliktion Limited-edition CD and 2LP vinyl bonus tracks: 11. Fuck Reality 12. Soulfly IX The cover artwork for "Savages" was created by renowned artist Paul Stottler, who is best known for his work on SACRED REICH's legendary"Surf Nicaragua" cover. Date previously mixed SOULFLY's "3" (2002), "Prophecy" (2004) and"Dark Ages" (2005) albums, but had never produced any of the group's CDs. The drum tracks on the new SOULFLY CD were laid down by Max's 21-year-old son, Zyon Cavalera, who joined the band as its touring drummer for its recent rampage through North America. Zyon previously played with SOULFLY during the band's tour of Brazil in February 2012.